单片镜下的西部片:弗里茨·朗对西方神话的考察

IF 0.5 2区艺术学 0 FILM, RADIO, TELEVISION JCMS-Journal of Cinema and Media Studies Pub Date : 2023-09-01 DOI:10.1353/cj.2023.a910939

Justin J. Roberts

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引用次数: 0

摘要

导演弗里茨·朗在他的西部片《弗兰克·詹姆斯归来》(1940年)、《西部联合汇款》(1941年)和《臭名昭著的牧场》(1952年)中，对西部片的类型隐喻进行了质疑。通过研究西部片的戏剧性、西部片中印第安人的表现以及西部片讲述者使用的框架，朗质疑了好莱坞西部片的本质。后来的电影人，尤其是塞尔吉奥·莱昂内(Sergio Leone)和克林特·伊斯特伍德(Clint Eastwood)，通过在自己的电影中暗指朗的作品，来表达他们对朗电影的感激之情。

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The Western through a Monocle: Fritz Lang's Examination of Western Mythology

abstract: In his Westerns The Return of Frank James (1940), Western Union (1941), and Rancho Notorious (1952), director Fritz Lang interrogated Western genre tropes. By examining the theatricality of Westerns, the presentation of Native Americans in Westerns, and the frames used by Western storytellers, Lang questioned the nature of Hollywood Westerns. Later filmmakers, particularly Sergio Leone and Clint Eastwood, have shown their debt to Lang's films by alluding to them in their own films.

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来源期刊

JCMS-Journal of Cinema and Media Studies FILM, RADIO, TELEVISION-

CiteScore

1.20

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0.00%

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