{"title":"金黄与蓝色的过渡--在历史古迹中的当代实现","authors":"Brigitta Maria KÜRTÖSİ","doi":"10.26658/jmr.1377343","DOIUrl":null,"url":null,"abstract":"The paper aims to demonstrate the creative process of the realization of a fountain in the courtyard of the Archbishop’s Castle in Kalocsa, Hungary. Lead architect of the diocese, Márta Vörös designed a complex artwork symbolizing the Trinity. The rounded shape concrete body of the fountain is seven metres in diameter and positioned in the middle of the inner garden space. In the centre of the composition, an orb and a dove figure are encompassed by a thin layer of water in a calyx-form. The surface of the fountain will be covered with Murano glass mosaic executed by the author. The dark colours from deep tones through the transition of blueish and greenish tints turn to golden shades reflecting to the Earth and Sky. The mosaic is made by direct technique in studio following a division system composed by 36 slices with 11 sections of each. The prepared sections are edited to fit to the curved design of the fountain, and the setting style desires to delicately amplify the symbolic content. From above the work will look like the eye of God as a universal protective symbol. This contemporary artwork exemplifies the fusion of traditional visual and theoretical values.","PeriodicalId":40714,"journal":{"name":"Journal of Mosaic Research","volume":"171 S379","pages":"0"},"PeriodicalIF":0.3000,"publicationDate":"2023-11-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Altın Sarısı ve Mavi Geҫişi - Tarihi Bir Yerde Çağdaş Bir Gerçekleşme\",\"authors\":\"Brigitta Maria KÜRTÖSİ\",\"doi\":\"10.26658/jmr.1377343\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The paper aims to demonstrate the creative process of the realization of a fountain in the courtyard of the Archbishop’s Castle in Kalocsa, Hungary. Lead architect of the diocese, Márta Vörös designed a complex artwork symbolizing the Trinity. The rounded shape concrete body of the fountain is seven metres in diameter and positioned in the middle of the inner garden space. In the centre of the composition, an orb and a dove figure are encompassed by a thin layer of water in a calyx-form. The surface of the fountain will be covered with Murano glass mosaic executed by the author. The dark colours from deep tones through the transition of blueish and greenish tints turn to golden shades reflecting to the Earth and Sky. The mosaic is made by direct technique in studio following a division system composed by 36 slices with 11 sections of each. The prepared sections are edited to fit to the curved design of the fountain, and the setting style desires to delicately amplify the symbolic content. From above the work will look like the eye of God as a universal protective symbol. This contemporary artwork exemplifies the fusion of traditional visual and theoretical values.\",\"PeriodicalId\":40714,\"journal\":{\"name\":\"Journal of Mosaic Research\",\"volume\":\"171 S379\",\"pages\":\"0\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2023-11-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Mosaic Research\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.26658/jmr.1377343\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ARCHAEOLOGY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Mosaic Research","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.26658/jmr.1377343","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHAEOLOGY","Score":null,"Total":0}
Altın Sarısı ve Mavi Geҫişi - Tarihi Bir Yerde Çağdaş Bir Gerçekleşme
The paper aims to demonstrate the creative process of the realization of a fountain in the courtyard of the Archbishop’s Castle in Kalocsa, Hungary. Lead architect of the diocese, Márta Vörös designed a complex artwork symbolizing the Trinity. The rounded shape concrete body of the fountain is seven metres in diameter and positioned in the middle of the inner garden space. In the centre of the composition, an orb and a dove figure are encompassed by a thin layer of water in a calyx-form. The surface of the fountain will be covered with Murano glass mosaic executed by the author. The dark colours from deep tones through the transition of blueish and greenish tints turn to golden shades reflecting to the Earth and Sky. The mosaic is made by direct technique in studio following a division system composed by 36 slices with 11 sections of each. The prepared sections are edited to fit to the curved design of the fountain, and the setting style desires to delicately amplify the symbolic content. From above the work will look like the eye of God as a universal protective symbol. This contemporary artwork exemplifies the fusion of traditional visual and theoretical values.