顺序对青年独唱表现力的影响

IF 0.8 2区 艺术学 0 MUSIC BULLETIN OF THE COUNCIL FOR RESEARCH IN MUSIC EDUCATION Pub Date : 2023-04-01 DOI:10.5406/21627223.236.01
Craig R. Hurley, Rebecca L. Atkins
{"title":"顺序对青年独唱表现力的影响","authors":"Craig R. Hurley, Rebecca L. Atkins","doi":"10.5406/21627223.236.01","DOIUrl":null,"url":null,"abstract":"Abstract Some choral method textbook authors suggest teaching rhythm, pitch, and text first prior to introducing expressive elements (post-expression sequence), while others recommend teaching expressive elements from the beginning alongside rhythm, pitch, and text (infused-expression sequence). The purpose of the current study was to investigate whether the sequence in which a solo singer learns the elements of a song (e.g., rhythm, pitch, text, expression) influences the musical expression (e.g., articulation, dynamics) of their performance in an online setting. Participants included 58 fifth through eighth graders from three elementary schools and three middle schools located in the southeast United States. Participants learned two different songs at home from a digital recording under two different sequences (infused-expression, post-expression). Results showed that when students learned a song using an infused-expression sequence they performed more expressively than students who learned a song using a post-expression sequence. Introducing expressive elements early resulted in a more expressive performance. Implications for the use and benefits of infused-expression sequencing as well as future research will be discussed.","PeriodicalId":46393,"journal":{"name":"BULLETIN OF THE COUNCIL FOR RESEARCH IN MUSIC EDUCATION","volume":null,"pages":null},"PeriodicalIF":0.8000,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Effects of Sequence on Expressivity in Solo Singing of Young Voices\",\"authors\":\"Craig R. Hurley, Rebecca L. Atkins\",\"doi\":\"10.5406/21627223.236.01\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract Some choral method textbook authors suggest teaching rhythm, pitch, and text first prior to introducing expressive elements (post-expression sequence), while others recommend teaching expressive elements from the beginning alongside rhythm, pitch, and text (infused-expression sequence). The purpose of the current study was to investigate whether the sequence in which a solo singer learns the elements of a song (e.g., rhythm, pitch, text, expression) influences the musical expression (e.g., articulation, dynamics) of their performance in an online setting. Participants included 58 fifth through eighth graders from three elementary schools and three middle schools located in the southeast United States. Participants learned two different songs at home from a digital recording under two different sequences (infused-expression, post-expression). Results showed that when students learned a song using an infused-expression sequence they performed more expressively than students who learned a song using a post-expression sequence. Introducing expressive elements early resulted in a more expressive performance. Implications for the use and benefits of infused-expression sequencing as well as future research will be discussed.\",\"PeriodicalId\":46393,\"journal\":{\"name\":\"BULLETIN OF THE COUNCIL FOR RESEARCH IN MUSIC EDUCATION\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.8000,\"publicationDate\":\"2023-04-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"BULLETIN OF THE COUNCIL FOR RESEARCH IN MUSIC EDUCATION\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5406/21627223.236.01\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"BULLETIN OF THE COUNCIL FOR RESEARCH IN MUSIC EDUCATION","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5406/21627223.236.01","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 0

摘要

一些合唱方法教材的作者建议先教授节奏、音高和文本,然后再引入表达元素(后表达序列),而另一些人则建议从一开始就教授表达元素,同时教授节奏、音高和文本(注入表达序列)。当前研究的目的是调查独奏歌手学习歌曲元素(如节奏、音高、文本、表达)的顺序是否会影响他们在网络环境下表演的音乐表达(如发音、动态)。参与者包括来自美国东南部三所小学和三所中学的58名五年级到八年级的学生。参与者在家里用两种不同的顺序(注入表情和后表情)从数字录音中学习两首不同的歌曲。结果表明,当学生使用“注入式表达”学习歌曲时,他们比使用“后表达”学习歌曲的学生表现得更有表现力。尽早引入表现性元素会使表演更具表现力。将讨论灌注表达测序的使用和益处以及未来的研究。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
The Effects of Sequence on Expressivity in Solo Singing of Young Voices
Abstract Some choral method textbook authors suggest teaching rhythm, pitch, and text first prior to introducing expressive elements (post-expression sequence), while others recommend teaching expressive elements from the beginning alongside rhythm, pitch, and text (infused-expression sequence). The purpose of the current study was to investigate whether the sequence in which a solo singer learns the elements of a song (e.g., rhythm, pitch, text, expression) influences the musical expression (e.g., articulation, dynamics) of their performance in an online setting. Participants included 58 fifth through eighth graders from three elementary schools and three middle schools located in the southeast United States. Participants learned two different songs at home from a digital recording under two different sequences (infused-expression, post-expression). Results showed that when students learned a song using an infused-expression sequence they performed more expressively than students who learned a song using a post-expression sequence. Introducing expressive elements early resulted in a more expressive performance. Implications for the use and benefits of infused-expression sequencing as well as future research will be discussed.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
CiteScore
1.30
自引率
11.10%
发文量
9
期刊介绍: The Bulletin of the Council for Research in Music Education (CRME) provides a forum where contemporary research is made accessible to all with interest in music education. The Bulletin contains current research, and reviews of interest to the international music education profession. Dr. Gregory DeNardo is editor and works with an advisory committee of music education"s most prestigious researchers. The Bulletin of the Council for Research in Music Education provides an outlet for scholarly publication and is one of music education’s leading publications.
期刊最新文献
Teaching Citizenship Through Music Education: A Case Study of a Community Youth Orchestra Program The Effects of Sequence on Expressivity in Solo Singing of Young Voices The Dangers of Predictable Learning Variability: Challenging the Imagining of Disability in the Universal Design for Learning in Music Education A Content Analysis of Assessment Articles in American Music Education Journals, 2000–2020 String Music Education Research: A Content Analysis of Peer-Reviewed Journals From 1990–2021
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1