{"title":"明星、娱乐和工业的政治:埃及电影史的新研究","authors":"Ifdal Elsaket","doi":"10.1017/s0020743823001137","DOIUrl":null,"url":null,"abstract":"Since at least the 1970s, Egyptian cinema has animated scholars of the Middle East; a by-product of a cultural turn in the discipline and broader interest in using film as a scholarly source. No doubt, Egypt's rich history of film production—often (and perhaps misleadingly) referred to as the “Hollywood on the Nile”—has encouraged scholars to use its films to examine broader political issues or capture the “mood” of a particular historical moment. Scholarship has mainly focused on films of the post-1952 era, often ones that reflect a definitive ideological bent or didactic message. The early period of cinema in Egypt, from the 1920s to 1940s, is much less studied. The perception of early Egyptian films as mere “imitations” of Hollywood and devoid of blatant political messaging contributed to consigning it to the dustbin of cinema history.","PeriodicalId":47340,"journal":{"name":"International Journal of Middle East Studies","volume":"73 1","pages":"0"},"PeriodicalIF":1.3000,"publicationDate":"2023-10-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Politics of Stardom, Entertainment and Industry: New Studies in Egyptian Cinema History\",\"authors\":\"Ifdal Elsaket\",\"doi\":\"10.1017/s0020743823001137\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Since at least the 1970s, Egyptian cinema has animated scholars of the Middle East; a by-product of a cultural turn in the discipline and broader interest in using film as a scholarly source. No doubt, Egypt's rich history of film production—often (and perhaps misleadingly) referred to as the “Hollywood on the Nile”—has encouraged scholars to use its films to examine broader political issues or capture the “mood” of a particular historical moment. Scholarship has mainly focused on films of the post-1952 era, often ones that reflect a definitive ideological bent or didactic message. The early period of cinema in Egypt, from the 1920s to 1940s, is much less studied. The perception of early Egyptian films as mere “imitations” of Hollywood and devoid of blatant political messaging contributed to consigning it to the dustbin of cinema history.\",\"PeriodicalId\":47340,\"journal\":{\"name\":\"International Journal of Middle East Studies\",\"volume\":\"73 1\",\"pages\":\"0\"},\"PeriodicalIF\":1.3000,\"publicationDate\":\"2023-10-19\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"International Journal of Middle East Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1017/s0020743823001137\",\"RegionNum\":3,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"AREA STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"International Journal of Middle East Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/s0020743823001137","RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"AREA STUDIES","Score":null,"Total":0}
The Politics of Stardom, Entertainment and Industry: New Studies in Egyptian Cinema History
Since at least the 1970s, Egyptian cinema has animated scholars of the Middle East; a by-product of a cultural turn in the discipline and broader interest in using film as a scholarly source. No doubt, Egypt's rich history of film production—often (and perhaps misleadingly) referred to as the “Hollywood on the Nile”—has encouraged scholars to use its films to examine broader political issues or capture the “mood” of a particular historical moment. Scholarship has mainly focused on films of the post-1952 era, often ones that reflect a definitive ideological bent or didactic message. The early period of cinema in Egypt, from the 1920s to 1940s, is much less studied. The perception of early Egyptian films as mere “imitations” of Hollywood and devoid of blatant political messaging contributed to consigning it to the dustbin of cinema history.
期刊介绍:
The International Journal of Middle East Studies publishes original research on politics, society and culture in the Middle East from the seventh century to the present day. The journal also covers Spain, south-east Europe, and parts of Africa, South Asia, and the former Soviet Union for subjects of relevance to Middle Eastern civilization. Particular attention is paid to the history, politics, economics, anthropology, sociology, literature, and cultural studies of the area and to comparative religion, theology, law, and philosophy. Each issue contains approximately 50 pages of detailed book reviews. Subscribers to the print version also receive the Review of Middle East Studies free. Published under the auspices of the Middle East Studies Association of North America