{"title":"大流行期间保持联系:农村艺术节和数字实践","authors":"Enya Moore, Bernadette Quinn","doi":"10.3390/tourhosp4040031","DOIUrl":null,"url":null,"abstract":"During the COVID lockdowns of 2020/21, the transmission of live or recorded concerts grew exponentially as festival makers embraced digital technologies to a greater degree. Investigating how this digital pivot interrupted festival-making practices is now important given that online and hybrid modes will potentially be used in conjunction with in-person events in the future. This task has relevance for rural areas where digital infrastructures can be under-developed. Yet, place-based, community-organised festivals can play a significant role in sustaining local communities. In this context, we explore the recent digital programming practices of music festivals in West Cork, Ireland. Methodologically, the study adopted a qualitative research design and generated data from fieldwork observations and in-depth interviews with festival practitioners in West Cork. This area was chosen for study because it is characterised by intensive arts and festival activity, high tourism activity, and a significant level of social change. The findings show that the ability of festivals to move practices online was variable and highly resource dependent. Overall, they suggest that in times of crisis the role of festivals became even more important than normal. Festivals played an important role in sustaining social connectivity, cultural participation and employment, with festival organisations demonstrating a strong sense of care and responsibility towards participants.","PeriodicalId":45185,"journal":{"name":"Tourism and Hospitality Management-Croatia","volume":"240 1","pages":"0"},"PeriodicalIF":1.2000,"publicationDate":"2023-09-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Maintaining Connections during the Pandemic: Rural Arts Festivals and Digital Practices\",\"authors\":\"Enya Moore, Bernadette Quinn\",\"doi\":\"10.3390/tourhosp4040031\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"During the COVID lockdowns of 2020/21, the transmission of live or recorded concerts grew exponentially as festival makers embraced digital technologies to a greater degree. Investigating how this digital pivot interrupted festival-making practices is now important given that online and hybrid modes will potentially be used in conjunction with in-person events in the future. This task has relevance for rural areas where digital infrastructures can be under-developed. Yet, place-based, community-organised festivals can play a significant role in sustaining local communities. In this context, we explore the recent digital programming practices of music festivals in West Cork, Ireland. Methodologically, the study adopted a qualitative research design and generated data from fieldwork observations and in-depth interviews with festival practitioners in West Cork. This area was chosen for study because it is characterised by intensive arts and festival activity, high tourism activity, and a significant level of social change. The findings show that the ability of festivals to move practices online was variable and highly resource dependent. Overall, they suggest that in times of crisis the role of festivals became even more important than normal. Festivals played an important role in sustaining social connectivity, cultural participation and employment, with festival organisations demonstrating a strong sense of care and responsibility towards participants.\",\"PeriodicalId\":45185,\"journal\":{\"name\":\"Tourism and Hospitality Management-Croatia\",\"volume\":\"240 1\",\"pages\":\"0\"},\"PeriodicalIF\":1.2000,\"publicationDate\":\"2023-09-25\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Tourism and Hospitality Management-Croatia\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3390/tourhosp4040031\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"HOSPITALITY, LEISURE, SPORT & TOURISM\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Tourism and Hospitality Management-Croatia","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3390/tourhosp4040031","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"HOSPITALITY, LEISURE, SPORT & TOURISM","Score":null,"Total":0}
Maintaining Connections during the Pandemic: Rural Arts Festivals and Digital Practices
During the COVID lockdowns of 2020/21, the transmission of live or recorded concerts grew exponentially as festival makers embraced digital technologies to a greater degree. Investigating how this digital pivot interrupted festival-making practices is now important given that online and hybrid modes will potentially be used in conjunction with in-person events in the future. This task has relevance for rural areas where digital infrastructures can be under-developed. Yet, place-based, community-organised festivals can play a significant role in sustaining local communities. In this context, we explore the recent digital programming practices of music festivals in West Cork, Ireland. Methodologically, the study adopted a qualitative research design and generated data from fieldwork observations and in-depth interviews with festival practitioners in West Cork. This area was chosen for study because it is characterised by intensive arts and festival activity, high tourism activity, and a significant level of social change. The findings show that the ability of festivals to move practices online was variable and highly resource dependent. Overall, they suggest that in times of crisis the role of festivals became even more important than normal. Festivals played an important role in sustaining social connectivity, cultural participation and employment, with festival organisations demonstrating a strong sense of care and responsibility towards participants.
期刊介绍:
Tourism and Hospitality Management is an international, multidisciplinary, open access journal, aiming to promote and enhance research in all fields of the tourism and hospitality industry. It publishes double-blind reviewed papers and encourages an interchange between tourism and hospitality researchers, educators and managers. Editors of Tourism and Hospitality Management strongly promote research integrity and aim to prevent any type of scientific misconduct, such as: fabrication, falsification, plagiarism, redundant publication and authorship problems. All submitted manuscripts are checked using Crossref Similarity Check (iThenticate). Nurturing a scientifically based approach to research, the journal publishes original papers along with empirical research and theoretical articles that contribute to the conceptual development of tourism and hospitality management. Editors look particularly for articles about new trends, challenges and developments, as well as the application of new ideas that are likely to affect the tourism and hospitality industry. The general criteria for the acceptance of articles are: contribution to the scientific knowledge in the field of tourism and hospitality management, scientifically reliable research methodology, relevant literature review and quality of the English language.