{"title":"为日本创造摄影的过去:从日本摄影的一个世纪(1968)到东京都摄影博物馆的建设","authors":"Kelly Midori McCormick","doi":"10.1080/03087298.2022.2249317","DOIUrl":null,"url":null,"abstract":"In 1968 two generations of Japanese photographers came together to research and curate the most comprehensive exhibition of the history of Japanese photography to date. Examining five hundred thousand photographs from public and private collections across the archipelago, they ultimately presented 1,640 images in a widely attended Tokyo exhibition. Moving beyond photographic nationalism, A Century of Japanese Photography was one of the only instances of public critique of the role of photographers who collaborated with the Japanese state during the Fifteen Year War (1931–45) and the exhibition’s popularity launched the movement to build the largest photography museum in Japan. Through analysis of the exhibition and establishment of the Tokyo Metropolitan Museum of Photography, I illuminate how the process of writing the first major history of Japanese photography and building an institution to house its archive was a practice informed by the changing meanings of the role of photographers and museums within Japanese society.","PeriodicalId":13024,"journal":{"name":"History of Photography","volume":"68 4","pages":"0"},"PeriodicalIF":0.3000,"publicationDate":"2023-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Inventing a Photographic Past for Japan: From <i>A Century of Japanese Photography</i> (1968) to the Construction of the Tokyo Metropolitan Museum of Photography\",\"authors\":\"Kelly Midori McCormick\",\"doi\":\"10.1080/03087298.2022.2249317\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In 1968 two generations of Japanese photographers came together to research and curate the most comprehensive exhibition of the history of Japanese photography to date. Examining five hundred thousand photographs from public and private collections across the archipelago, they ultimately presented 1,640 images in a widely attended Tokyo exhibition. Moving beyond photographic nationalism, A Century of Japanese Photography was one of the only instances of public critique of the role of photographers who collaborated with the Japanese state during the Fifteen Year War (1931–45) and the exhibition’s popularity launched the movement to build the largest photography museum in Japan. Through analysis of the exhibition and establishment of the Tokyo Metropolitan Museum of Photography, I illuminate how the process of writing the first major history of Japanese photography and building an institution to house its archive was a practice informed by the changing meanings of the role of photographers and museums within Japanese society.\",\"PeriodicalId\":13024,\"journal\":{\"name\":\"History of Photography\",\"volume\":\"68 4\",\"pages\":\"0\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2023-10-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"History of Photography\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/03087298.2022.2249317\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"History of Photography","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/03087298.2022.2249317","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
Inventing a Photographic Past for Japan: From A Century of Japanese Photography (1968) to the Construction of the Tokyo Metropolitan Museum of Photography
In 1968 two generations of Japanese photographers came together to research and curate the most comprehensive exhibition of the history of Japanese photography to date. Examining five hundred thousand photographs from public and private collections across the archipelago, they ultimately presented 1,640 images in a widely attended Tokyo exhibition. Moving beyond photographic nationalism, A Century of Japanese Photography was one of the only instances of public critique of the role of photographers who collaborated with the Japanese state during the Fifteen Year War (1931–45) and the exhibition’s popularity launched the movement to build the largest photography museum in Japan. Through analysis of the exhibition and establishment of the Tokyo Metropolitan Museum of Photography, I illuminate how the process of writing the first major history of Japanese photography and building an institution to house its archive was a practice informed by the changing meanings of the role of photographers and museums within Japanese society.
期刊介绍:
History of Photography is an international quarterly devoted to the history, practice and theory of photography. It intends to address all aspects of the medium, treating the processes, circulation, functions, and reception of photography in all its aspects, including documentary, popular and polemical work as well as fine art photography. The goal of the journal is to be inclusive and interdisciplinary in nature, welcoming all scholarly approaches, whether archival, historical, art historical, anthropological, sociological or theoretical. It is intended also to embrace world photography, ranging from Europe and the Americas to the Far East.