为日本创造摄影的过去:从日本摄影的一个世纪(1968)到东京都摄影博物馆的建设

IF 0.3 2区 艺术学 0 ART History of Photography Pub Date : 2023-10-31 DOI:10.1080/03087298.2022.2249317
Kelly Midori McCormick
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引用次数: 0

摘要

1968年,两代日本摄影师一起研究和策划了迄今为止最全面的日本摄影史展览。他们研究了日本群岛各地公共和私人收藏的50万张照片,最终在东京一场观众众多的展览上展示了1640张照片。超越摄影民族主义,《一个世纪的日本摄影》是公开批评在十五年战争(1931 - 1945)期间与日本政府合作的摄影师角色的唯一例子之一,该展览的受欢迎程度推动了建立日本最大摄影博物馆的运动。通过对东京都摄影博物馆的展览和建立的分析,我阐明了在日本社会中摄影师和博物馆角色的不断变化的意义下,撰写日本第一部重要的摄影史和建立一个机构来容纳其档案的过程是如何被告知的。
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Inventing a Photographic Past for Japan: From A Century of Japanese Photography (1968) to the Construction of the Tokyo Metropolitan Museum of Photography
In 1968 two generations of Japanese photographers came together to research and curate the most comprehensive exhibition of the history of Japanese photography to date. Examining five hundred thousand photographs from public and private collections across the archipelago, they ultimately presented 1,640 images in a widely attended Tokyo exhibition. Moving beyond photographic nationalism, A Century of Japanese Photography was one of the only instances of public critique of the role of photographers who collaborated with the Japanese state during the Fifteen Year War (1931–45) and the exhibition’s popularity launched the movement to build the largest photography museum in Japan. Through analysis of the exhibition and establishment of the Tokyo Metropolitan Museum of Photography, I illuminate how the process of writing the first major history of Japanese photography and building an institution to house its archive was a practice informed by the changing meanings of the role of photographers and museums within Japanese society.
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来源期刊
CiteScore
0.30
自引率
50.00%
发文量
23
期刊介绍: History of Photography is an international quarterly devoted to the history, practice and theory of photography. It intends to address all aspects of the medium, treating the processes, circulation, functions, and reception of photography in all its aspects, including documentary, popular and polemical work as well as fine art photography. The goal of the journal is to be inclusive and interdisciplinary in nature, welcoming all scholarly approaches, whether archival, historical, art historical, anthropological, sociological or theoretical. It is intended also to embrace world photography, ranging from Europe and the Americas to the Far East.
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