霍桑学派:内战后的新英格兰女作家

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY European Journal of American Studies Pub Date : 2023-09-12 DOI:10.4000/ejas.20638
Marek Wilczyński
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引用次数: 0

摘要

这篇文章的主要论点是,19世纪末的新英格兰女作家,如玛丽·e·威尔金斯·弗里曼、爱丽丝·布朗、罗斯·特里·库克、安妮·特朗布尔·斯洛松和莎拉·奥恩·杰伊特,被称为战后地区现实主义者,实际上是在延续纳撒尼尔·霍桑小说诗学的某些元素。他们在短篇小说和长篇小说中描述了新英格兰人口、经济和文化的衰败,他们经常使用寓言和引入奇幻元素,可以说这使得他们的作品可以用沃尔特·本雅明在《德国悲剧戏剧的起源》中提出的方式来阅读。
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The School of Hawthorne: New England Women Writers after the Civil War
The main argument of the essay is that New England women writers of the late 19th century, such as Mary E. Wilkins Freeman, Alice Brown, Rose Terry Cooke, Annie Trumbull Slosson, and Sarah Orne Jewett, known as post-bellum regional realists, were actually continuing certain elements of Nathaniel Hawthorne’s poetics of fiction. Describing in their short stories and novels New England’s demographic, economic, and cultural decadence, they often used allegory and introduced fantastic elements, which arguably allows to read their works in a way proposed by Walter Benjamin in The Origin of German Tragic Drama.
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来源期刊
European Journal of American Studies
European Journal of American Studies HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.30
自引率
0.00%
发文量
61
审稿时长
30 weeks
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