{"title":"我们的性别权利受到如此专制的对待:海德维格·夏洛塔·诺登弗莱希特谈妇女权利","authors":"Matilda Amundsen Bergström","doi":"10.1017/hyp.2023.56","DOIUrl":null,"url":null,"abstract":"Abstract This article discusses Hedvig Charlotta Nordenflycht's (1718–63) poem Fruentimrets Försvar, Emot J. J. Rousseau Medborgare i Genève (Nordenflycht 1761) [Defense of the female sex against J. J. Rousseau, citizen of Geneva], written as a response to Jean-Jacques Rousseau's Lettre sur les spectacles (1758; in Rousseau 1968). Heretofore, Nordenflycht's poem has been considered primarily from the perspective of national literary and intellectual history, but here it is maintained that the poem should be related to the context of the European Enlightenment. Specifically, I argue that Nordenflycht uses key political concepts to create an argument for women's rights as a form of natural, human rights. By focusing on Nordenflycht's contentions regarding natural equality and artificial inequality, the tyrannical treatment of women, and women's right to liberty and occupations, this article elucidates how a woman writer from the periphery of the Enlightenment had created and presented, by the 1760s, a sustained argument—in verse—for female liberty in public life, for the benefit not only of women but of all humankind.","PeriodicalId":47921,"journal":{"name":"Hypatia-A Journal of Feminist Philosophy","volume":null,"pages":null},"PeriodicalIF":1.0000,"publicationDate":"2023-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Our Sex's Rights Have Seen Such Autocratic Treatment: Hedvig Charlotta Nordenflycht on Women's Rights\",\"authors\":\"Matilda Amundsen Bergström\",\"doi\":\"10.1017/hyp.2023.56\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract This article discusses Hedvig Charlotta Nordenflycht's (1718–63) poem Fruentimrets Försvar, Emot J. J. Rousseau Medborgare i Genève (Nordenflycht 1761) [Defense of the female sex against J. J. Rousseau, citizen of Geneva], written as a response to Jean-Jacques Rousseau's Lettre sur les spectacles (1758; in Rousseau 1968). Heretofore, Nordenflycht's poem has been considered primarily from the perspective of national literary and intellectual history, but here it is maintained that the poem should be related to the context of the European Enlightenment. Specifically, I argue that Nordenflycht uses key political concepts to create an argument for women's rights as a form of natural, human rights. By focusing on Nordenflycht's contentions regarding natural equality and artificial inequality, the tyrannical treatment of women, and women's right to liberty and occupations, this article elucidates how a woman writer from the periphery of the Enlightenment had created and presented, by the 1760s, a sustained argument—in verse—for female liberty in public life, for the benefit not only of women but of all humankind.\",\"PeriodicalId\":47921,\"journal\":{\"name\":\"Hypatia-A Journal of Feminist Philosophy\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":1.0000,\"publicationDate\":\"2023-10-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Hypatia-A Journal of Feminist Philosophy\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1017/hyp.2023.56\",\"RegionNum\":1,\"RegionCategory\":\"哲学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"PHILOSOPHY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Hypatia-A Journal of Feminist Philosophy","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/hyp.2023.56","RegionNum":1,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"PHILOSOPHY","Score":null,"Total":0}
引用次数: 0
摘要
摘要本文讨论了Hedvig Charlotta Nordenflycht(1718-63)的诗歌Fruentimrets Försvar, Emot J. J. Rousseau Medborgare i gen (Nordenflycht 1761)[女性对J. J. Rousseau的辩护,日内瓦公民],这是对让-雅克卢梭的《les spectacles letter》(1758;卢梭,1968)。在此之前,人们主要是从民族文学史和思想史的角度来考虑诺登弗莱希特的诗,但在这里,人们认为这首诗应该与欧洲启蒙运动的背景有关。具体来说,我认为Nordenflycht使用了一些关键的政治概念,将女性权利作为一种自然的人权形式进行论证。通过关注诺登弗莱希特关于自然平等和人为不平等、对妇女的暴虐待遇以及妇女的自由和职业权利的争论,本文阐明了一位来自启蒙运动边缘的女作家如何在18世纪60年代创造并呈现了一种持续的论点——用诗歌来说——在公共生活中争取女性自由,不仅为了女性,也为了全人类的利益。
Our Sex's Rights Have Seen Such Autocratic Treatment: Hedvig Charlotta Nordenflycht on Women's Rights
Abstract This article discusses Hedvig Charlotta Nordenflycht's (1718–63) poem Fruentimrets Försvar, Emot J. J. Rousseau Medborgare i Genève (Nordenflycht 1761) [Defense of the female sex against J. J. Rousseau, citizen of Geneva], written as a response to Jean-Jacques Rousseau's Lettre sur les spectacles (1758; in Rousseau 1968). Heretofore, Nordenflycht's poem has been considered primarily from the perspective of national literary and intellectual history, but here it is maintained that the poem should be related to the context of the European Enlightenment. Specifically, I argue that Nordenflycht uses key political concepts to create an argument for women's rights as a form of natural, human rights. By focusing on Nordenflycht's contentions regarding natural equality and artificial inequality, the tyrannical treatment of women, and women's right to liberty and occupations, this article elucidates how a woman writer from the periphery of the Enlightenment had created and presented, by the 1760s, a sustained argument—in verse—for female liberty in public life, for the benefit not only of women but of all humankind.