From “Queer Guy” to “Queer Dancer”: A Surrealistic Performative of Identity

The performative autoethnography technique transcends conventional storytelling, aiming to dismantle prejudices and evoke empathy, also the context of Polish society. The performative nature of the narrative is manifested through the metaphor of a queer dancer’s surreal, waltz, articulating the dreams of those embracing their authentic identities inspiration from “There Was a Queer Guy.” Consequently, this poem does not merely exist as a literary piece but serves as a proactive instrument for social activism, calling for understanding and acceptance. The narrative seeks to harness collective strength to prevent the tragic loss of more queer youth to societal pressures and prejudices.