{"title":"超级英雄反屠夫:泽连斯基和普京在政治漫画中对俄罗斯的侵略","authors":"Orest Semotiuk","doi":"10.1177/14703572231189753","DOIUrl":null,"url":null,"abstract":"This article integrates national and international levels of political humorous discourse and proposes a multimodal analysis of the discursive dimension of the Russian–Ukrainian war and its implementation in political humour. The author analyses the distribution of supportive/subversive humour in world, Ukrainian and Russian political cartoons targeting Ukrainian President Zelensky and Russian President Putin and representing the conflict parties, with special attention to the presentation/setting. The distribution of supportive vs subversive political humour is based on an analysis of the target, focus and setting of political cartoons depicting Putin and Zelensky, and on the interaction of verbal and nonverbal elements in the cartoons. Political cartoons can be defined by their goals, frames of reference and means. These corresponding parameters (goal–target, frame of reference–focus, means-setting) as well as the correlation between self-image/external image and supportive/subversive political humour provide the analytical framework for the article.","PeriodicalId":51671,"journal":{"name":"Visual Communication","volume":"24 1","pages":"0"},"PeriodicalIF":1.2000,"publicationDate":"2023-09-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Superhero contra butcher: Zelensky and Putin in political cartoons on Russian aggression\",\"authors\":\"Orest Semotiuk\",\"doi\":\"10.1177/14703572231189753\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article integrates national and international levels of political humorous discourse and proposes a multimodal analysis of the discursive dimension of the Russian–Ukrainian war and its implementation in political humour. The author analyses the distribution of supportive/subversive humour in world, Ukrainian and Russian political cartoons targeting Ukrainian President Zelensky and Russian President Putin and representing the conflict parties, with special attention to the presentation/setting. The distribution of supportive vs subversive political humour is based on an analysis of the target, focus and setting of political cartoons depicting Putin and Zelensky, and on the interaction of verbal and nonverbal elements in the cartoons. Political cartoons can be defined by their goals, frames of reference and means. These corresponding parameters (goal–target, frame of reference–focus, means-setting) as well as the correlation between self-image/external image and supportive/subversive political humour provide the analytical framework for the article.\",\"PeriodicalId\":51671,\"journal\":{\"name\":\"Visual Communication\",\"volume\":\"24 1\",\"pages\":\"0\"},\"PeriodicalIF\":1.2000,\"publicationDate\":\"2023-09-11\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Visual Communication\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1177/14703572231189753\",\"RegionNum\":2,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"COMMUNICATION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Visual Communication","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1177/14703572231189753","RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"COMMUNICATION","Score":null,"Total":0}
Superhero contra butcher: Zelensky and Putin in political cartoons on Russian aggression
This article integrates national and international levels of political humorous discourse and proposes a multimodal analysis of the discursive dimension of the Russian–Ukrainian war and its implementation in political humour. The author analyses the distribution of supportive/subversive humour in world, Ukrainian and Russian political cartoons targeting Ukrainian President Zelensky and Russian President Putin and representing the conflict parties, with special attention to the presentation/setting. The distribution of supportive vs subversive political humour is based on an analysis of the target, focus and setting of political cartoons depicting Putin and Zelensky, and on the interaction of verbal and nonverbal elements in the cartoons. Political cartoons can be defined by their goals, frames of reference and means. These corresponding parameters (goal–target, frame of reference–focus, means-setting) as well as the correlation between self-image/external image and supportive/subversive political humour provide the analytical framework for the article.
期刊介绍:
Visual Communication provides an international forum for the growing body of work in numerous interrelated disciplines. Its broad coverage includes: still and moving images; graphic design and typography; visual phenomena such as fashion, professional vision, posture and interaction; the built and landscaped environment; the role of the visual in relation to language, music, sound and action.