低能量的诗意。G. Bacovia via E. Lovinescu 的(近)热力学解读 (II)巴科维亚经由 E. 洛维纳斯库 (II)

Q1 Arts and Humanities Revista Transilvania Pub Date : 2023-01-01 DOI:10.51391/trva.2023.04.04
Teodora Dumitru
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引用次数: 0

摘要

这篇文章的目的是试图描绘出19世纪下半叶和20世纪初诗歌理论的能量和(近似)热力学背景,也包括罗马尼亚评论家的兴趣范围。在本文中,我追溯了文学评论家e·洛维内斯库从1922年献给g·巴科维亚的文章和1923年研究《新诗》中为同一位诗人保留的顺序中得出他对巴科维亚诗歌的独特风格和概念方法的途径,两者都在他的文学史中进一步大写。它是关于对Bacovian诗歌的解释甚至定义,作为一种“神经症”的“表达”,作为一种“(深度动物的)动觉”的“诗歌”,作为一种“病态动觉”的“几乎直接的表达”,或者更突然地,作为“病态有机体的分泌物,就像湿气是湿墙的撕裂”。
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Poezia energiei scăzute. O lectură (peri)termodinamică a interpretării lui G. Bacovia via E. Lovinescu (II)
The purpose of this essay is an attempt to map the energetic and (peri)thermodynamic background of theories about poetry from the second half of the 19th century and the beginning of the 20th century, also included in the horizon of interest of Romanian critics. In the present essay, I trace the route by which the literary critic E. Lovinescu arrives at his unique stylistic and conceptual approach to the poetry of G. Bacovia from the article he dedicates to him in 1922 and from the sequence reserved for the same poet in the study Poezia nouă (1923), both capitalized, further, in his literary histories. It is about the interpretation or even the definition of Bacovian poetry as an “expression” of “a neurosis,” as a “poetry” of “(deeply animalistic) kinesthesia,” as an “almost direct expression” of a “sick kinesthesia” or, even more abruptly, as “secretion of a sick organism, as moisture is the tear of damp walls.”
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Revista Transilvania
Revista Transilvania Arts and Humanities-Literature and Literary Theory
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