印尼表演艺术作品中对当地文化记忆的表现

Litya Ainunning Puri, Handriyotopo Handriyotopo, Khoirunnisa Qonita
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引用次数: 0

摘要

本文对印尼新媒体艺术家时期表现当地身份和价值观的行为艺术作品进行了解读。通过强调当地身份,本文试图揭示艺术家如何通过艺术作品应对全球挑战,同时捕捉整个努沙塔拉(印度尼西亚群岛)的美学和价值观。此外,本研究还从新媒体艺术发展的角度分析了表演者的时间轴和地理分布。采用观察法、访谈法、文献法等多种方法收集资料,涉及历史档案和文学作品。研究结果表明,行为艺术史的两个时期,即早期时代和数字时代,在历史和地理上是分开的。即使全球化影响了艺术,但在这段时间里,地方身份从未真正消失;事实上,它正在变得越来越强大。群岛的表现是新兴艺术家在当代国际艺术舞台上出现的标志。然而,在艺术作品中,地方身份的影响不再是争论的,它可以反映艺术家的自我认同。
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REPRESENTASI JEJAK MEMORI BUDAYA LOKAL DALAM KARYA PERFORMANCE ART SENIMAN INDONESIA
This article offers an interpretation of performance artworks that serve as representations of local identity and values in the period of Indonesian new media artists. By emphasizing on local identity, this article seeks to reveal how artists respond to global challenges through artworks while capturing the aesthetics and values prevailing throughout Nusantara (the Indonesian archipelago). Additionally, this research offers an analysis of the timeline and geographic distribution of performers from the standpoint of the growth of new media art. Data were collected using a variety of methods, including observation, interview, and literature review involving both historical archives and literary works. Findings indicate that the two periods of performance art history, i.e. the early era and the digital age, are historically and geographically separated. Even if globalization has affected arts, local identity has never really disappeared during this time; in fact, it is growing stronger. Representations of the archipelago is a sign of the new emerging artists’ presence in the contemporary international art scene. The influence of local identity in artworks, however, is no longer debatable and can reflect an artist’s self-identification.
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16
审稿时长
13 weeks
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