气候危机、荒废的岛屿和英国的元现代主义

IF 0.2 3区 文学 0 LITERATURE CRITIQUE-STUDIES IN CONTEMPORARY FICTION Pub Date : 2023-10-12 DOI:10.1080/00111619.2023.2268519
Emily Arvay
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引用次数: 0

摘要

摘要本文认为,21世纪初英国对人为气候变化的普遍接受,与文化努力通过深层时间的具体化,通过超历史现象重新定义历史现在相吻合。因此,本文将自己置于IPCC第一份报告(1990年)和第四份报告(2007年)之间的历史节点上,认为20世纪90年代的气候、金融和地缘政治危机促使了一种转变,改变了21世纪初出版的英国气候小说的基调。为了解决气候危机的超国家影响,英国作家采用了元现代主义的方法,将偏远岛屿的历史毁灭映射到从IPCC的气候报告中推断出来的投机性未来——从而使地球的气候转变为一个类地行星,并推动人类走向未来的淘汰。最后,本文关注米切尔的《云图》(2004年)、赛尔夫的《戴夫之书》(2006年)和温特森的《石神》(2007年)的生态批评意义,表明这些元现代主义气候小说将淹没的过去的失败转移到从现在的不稳定中提取的近未来,从而破坏了独特的现在,确定的未来和难以接近的过去,对现在或未来几乎没有用处。感谢Christopher Douglas博士、Nicholas Bradley博士和Helga Thorson博士对我的指导。我要感谢视觉艺术家Terry Marner向我介绍了元现代主义,并感谢元现代主义学者Alison Gibbons博士的鼓励。我还要感谢《批判》杂志的编辑团队,感谢他们的指导。最后,我要向迈克尔·卢卡斯博士、马拉·布坎南博士、琼·维奥莱特博士和卡斯帕·芬尼根博士表示衷心的感谢。披露声明作者未报告任何经济利益、利益或潜在冲突。桑塔亚那,《常识中的理性》82.2。Self,垃圾邮件109.3。这个词是记者丹·布鲁姆(Dan Bloom)在2007年创造的,在随后的十年里得到了更广泛的使用。4 .本文提到每个岛屿的土著名称(Hiort、Rēkohu和Rapa Nui),而不是它们的殖民地名称(St. Kilda、Chatham和复活节岛),以承认在殖民占领之前居住在这些地点的土著社区。在柏拉图的《会饮篇》(约公元前385-70年)中,mettaxy (μεταξ υ)一词表示在两极之间、两极之间和两极之外的振荡运动。德里罗33 - 40.7。例如,贾里德·戴蒙德的《枪炮、病菌和钢铁》(1997),哈特和内格里的《帝国》(2001)和罗纳德·赖特的《进步简史》(2004)。多恩,《第十七次冥想》(1624)。本研究得到了加拿大社会科学与人文研究理事会、Ian H. Stewart研究生奖学金以及Hugh Campbell和Marion Alice苏格兰研究小型基金的支持。艾米丽·阿瓦伊(emily Arvay)于2019年在维多利亚大学完成了博士学位,论文是《气候变化、荒废的岛屿和英国的元现代主义》。从那时起,她在维多利亚大学学术交流中心担任写作中心导师和学术教练。她还担任《杨梅评论》(The Arbutus review)的执行编辑,这是一本同行评议的学术期刊,以本科生作者的跨学科学术为特色。
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Climate Crises, Ruined Islands, and British Metamodernism
ABSTRACTThis article contends that popular acceptance of Anthropogenic climate change in early 2000s Britain coincided with cultural efforts to redefine the historical present via transhistorical phenomena through the concretization of deep time. This article therefore situates itself in the historical juncture between the IPCC’s first report (1990) and its fourth (2007) to argue that the climatological, financial and geopolitical crises that coalesced in the 1990s prompted a shift that changed the tenor of British climate fictions published in the 2000s. To address the supranational reach of the climate crisis, British authors used metamodernist means to map the historical ruination of remote islands onto speculative futures extrapolated from the climate reports of the IPCC – thereby conjuring the climatological transformation of Earth into an Earth-like planet and the propulsion of humans toward future obsolescence. Ultimately, this article attends to the ecocritical significance of Mitchell’s Cloud Atlas (2004), Self’s The Book of Dave (2006) and Winterson’s The Stone Gods (2007) to suggest that these metamodernist climate fictions transpose the failures of submerged pasts onto near-futures drawn from present precarity to undermine the present as unique, the future as determined and the past as inaccessible and of little use to the present or future. AcknowledgmentsI would like to thank Dr. Christopher Douglas, Dr. Nicholas Bradley, and Dr Helga Thorson for their mentorship. I would like to express my gratitude to visual artist Terry Marner for introducing me to metamodernism and to acknowledge metamodernist scholar Dr. Alison Gibbons for her kind words of encouragement. I would also like to recognize the editorial team at Critique for their guidance. Finally, I would like to express my deep gratitude to Dr. Michael Lukas, Dr. Marla Buchanan, June Violet and Caspar Finnegan.Disclosure StatementNo financial interest, benefit, nor potential conflict is reported by the author.Notes1. Santayana, “Reason in Common Sense” 82.2. Self, Junk Mail 109.3. A term coined by reporter Dan Bloom in 2007 that gained more widespread currency in the decade that followed.4. This article refers to the Indigenous names given to each island (Hiort, Rēkohu and Rapa Nui) rather than to their colonial designations (St. Kilda, Chatham and Easter Island) in recognition of the Indigenous communities that populated these sites prior to colonial occupation.5. In Plato’s Symposium (ca. 385–70 B.C.), the term metaxy (μεταξύ) denotes an oscillating movement among, between, and beyond two poles (202d13-e1).6. DeLillo 33–40.7. See for example, Jared Diamond’s Guns, Germs, and Steel (1997), Hardt and Negri’s Empire (2001) and Ronald Wright’s A Short History of Progress (2004).8. Donne, “XVII Meditation” (1624).Additional informationFundingThis work was supported by the Social Sciences and Humanities Research Council of Canada, Ian H. Stewart Graduate Fellowship, and Hugh Campbell and Marion Alice Small Fund for Scottish Studies.Notes on contributorsEmily ArvayEmily Arvay completed her PhD at the University of Victoria in 2019 with her thesis “Climate Change, the Ruined Island, and British Metamodernism.” Since then, she has worked as a writing center tutor and academic coach at the center for Academic Communication at the University of Victoria. She also works as a managing editor for The Arbutus Review—a peer-reviewed academic journal featuring the interdisciplinary scholarship of undergraduate authors.
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期刊介绍: Since its inception in the 1950s, Critique has consistently identified the most notable novelists of our time. In the pages of Critique appeared the first authoritative discussions of Bellow and Malamud in the ''50s, Barth and Hawkes in the ''60s, Pynchon, Elkin, Vonnegut, and Coover in the ''70s; DeLillo, Atwood, Morrison, and García Márquez in the ''80s; Auster, Amy Tan, David Foster Wallace, and Nurrudin Farah in the ''90s; and Lorrie Moore and Mark Danielewski in the new century. Readers go to Critique for critical essays on new authors with emerging reputations, but the general focus of the journal is fiction after 1950 from any country. Critique is published five times a year.
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