安达卢西亚诗歌中压迫的社会动机(贝尼·艾哈迈尔时代)

Jumaa Hussein Youssef, Muhammad Hamid Abdullah
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摘要

在安达卢西亚诗歌中,压迫是一种艺术现象,它的动机是多种多样的,它的原因是由它的原因的颜色和它的主人的感情所决定的。本研究试图通过揭示这种现象在安达卢西亚诗人的灵魂中的维度和内涵,揭示这种现象的社会动机,这些诗人的压迫感扼杀了他们的生活。因此,对他来说,力量成为了值得人类人性生活的首要条件。该研究摘自博士论文标签(征服者在安达卢西亚题为巴尼艾哈迈尔时代(635 - 798AH) -一个分析研究-)。该研究基于前言和两个主题:第一个:种族和宗教多样性,这开始在安达卢西亚土地上形成真正的冲突。这是一场意识形态上的冲突,由基督徒发起,由犹太人挑起。看到这些人试图把他们所有的仇恨都倾注到这个国家的神圣之处和它的荣誉和荣耀的地方,这并不奇怪。第二部分:不公正和监狱以及它们如何反映诗人的心理和智力生活,以及这个地方与艺术创造力的关系的本质,以及他爆发诗人情感和加深他的压迫的能力的程度。然后是结论和研究的发现。
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The social motives of oppression in Andalusian poetry (the era of Beni al-Ahmar)
In Andalusian poetry, oppression was an artistic phenomenon, its motives were numerous, and its causes were colored by the colors of its causes and the feelings of its owners. This research represents the endeavor to trace the social motives of this phenomenon, by revealing its dimensions and connotations in the souls of its creators from the Andalusian poets, those whose sense of oppression stifled their lives. So that strength becomes with him the first condition for a life worthy of humanity of man. The research is extracted from the doctoral thesis tagged (Conqueror in Andalusian entitled era of Bani al-Ahmar (635 AH - 798AH) - an analytical study -). The research was based on a preface and two topics: The first: ethnic and religious diversity, which began to form a real conflict on the land of Andalusia. It is an ideological conflict sponsored by the Christians and lit up by the Jews. It is not surprising to see these people trying to pour all their hatred against the sanctities of the nation and the places of its honor and glory. The second: Injustice and prisons and how they reflected on the poet’s life psychologically and intellectually and on the nature of the place’s relationship with artistic creativity, and the extent of his ability to explode the poet’s feelings and deepen his oppression. Then the conclusion and the findings of the research.
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