{"title":"巴洛克时期的作品","authors":"Katharina Worms","doi":"10.1163/18796583-12340080","DOIUrl":null,"url":null,"abstract":"Abstract This article deals with knowledge of the future in German drama of the 17 th century. Within eight case studies the author focusses on scenes of predictions from Jacob Bidermanns Cenodoxus (1602, dt. 1635) to Christian Weises Marschall von Biron (1687). Open models of the future exist side by side with a deterministic understanding of time. However, also contemporary events play a role in the dramas, but they are not emphasized as present.","PeriodicalId":52008,"journal":{"name":"DAPHNIS-ZEITSCHRIFT FUR MITTLERE DEUTSCHE LITERATUR","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2023-03-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Zukunftsermittlung im Barockdrama\",\"authors\":\"Katharina Worms\",\"doi\":\"10.1163/18796583-12340080\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract This article deals with knowledge of the future in German drama of the 17 th century. Within eight case studies the author focusses on scenes of predictions from Jacob Bidermanns Cenodoxus (1602, dt. 1635) to Christian Weises Marschall von Biron (1687). Open models of the future exist side by side with a deterministic understanding of time. However, also contemporary events play a role in the dramas, but they are not emphasized as present.\",\"PeriodicalId\":52008,\"journal\":{\"name\":\"DAPHNIS-ZEITSCHRIFT FUR MITTLERE DEUTSCHE LITERATUR\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2023-03-10\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"DAPHNIS-ZEITSCHRIFT FUR MITTLERE DEUTSCHE LITERATUR\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1163/18796583-12340080\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"N/A\",\"JCRName\":\"LITERATURE, GERMAN, DUTCH, SCANDINAVIAN\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"DAPHNIS-ZEITSCHRIFT FUR MITTLERE DEUTSCHE LITERATUR","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/18796583-12340080","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"N/A","JCRName":"LITERATURE, GERMAN, DUTCH, SCANDINAVIAN","Score":null,"Total":0}
Abstract This article deals with knowledge of the future in German drama of the 17 th century. Within eight case studies the author focusses on scenes of predictions from Jacob Bidermanns Cenodoxus (1602, dt. 1635) to Christian Weises Marschall von Biron (1687). Open models of the future exist side by side with a deterministic understanding of time. However, also contemporary events play a role in the dramas, but they are not emphasized as present.
期刊介绍：
Der "Daphnis" ist als Organ für die Erforschung der deutschen und neulateinischen Literatur vom Ausgang des 14. Jahrhunderts bis zur Mitte des 18. Jahrhunderts konzipiert worden. Er berücksichtigt darüber hinaus unter komparatistischem Aspekt auch die Beziehungen der Mittleren Deutschen Literatur zu den europäischen Literaturen dieses Zeitraums und widmet sich Problemen der frühneuhochdeutschen und neulateinischen Sprache.
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