土著圣物的归还:来历不明的物品返回的前景

IF 1.4 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Museum Management and Curatorship Pub Date : 2023-10-11 DOI:10.1080/09647775.2023.2263847
Jason Gibson, Iain G. Johnston, Michael Cawthorn
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引用次数: 0

摘要

摘要本文探讨了从澳大利亚中部归还文献贫乏的土著神圣宗教物品所面临的挑战。作者概述了从澳大利亚国内博物馆归还这些物品的历史努力以及最近从国际收藏中归还的进展。详细的文件记录,包括物品与地点、人或祖先故事的具体关系,对于确保合法的当代中澳大利亚原住民能够承担任何遣返物品的照顾和责任至关重要。因此,缺乏来源数据和任何其他相关的收集文件可能会极大地阻碍这些物品归还给现在的保管人。探讨将大量来历不明的圣物送回澳大利亚的前景,本文认为,除了遣返这些物品的潜在后勤或基础设施要求外,土著文化框架和创新的发展对任何有意义的遣返结果都至关重要。关键词:遣返、宗教物品、原住民遗产、博物馆人种学、原住民文化遗产披露声明作者未报告潜在的利益冲突。注1在本文中,作者在Henderson和Dobson (Citation2020, 334)之后使用tywerrenge来描述具体的神圣物品;其他拼写只在与讨论相关时使用。这些物品通常是神圣的石头和木板,上面刻有与特定的做梦者和地点相关的图案,是澳大利亚中部仪式用具的关键元素。这个词也包括仪式设计和舞蹈(Strehlow citation1997,14 - 18,84)本部分已通过pers进一步通知。2013年10月1日,我与西澳大利亚博物馆的罗斯·查德威克(Ross Chadwick)和土著顾问彼得·怀特(Peter White)进行了交流。1.3女性受限材料的研究不是由本文的男性作者进行的,而是由aiatsis的女性进行的。Ross Chadwick, pers。2021年10月1日。本研究由澳大利亚研究委员会(Australian Research Council)资助[资助号:DE220100206]。作者简介Jason M. Gibson博士是澳大利亚墨尔本迪肯大学文化遗产和博物馆研究高级研究员和讲师。在过去的二十年里,他与澳大利亚各地的土著监护人在历史、博物馆和遗产相关项目上进行了广泛的合作,并在澳大利亚中部进行了合作的民族志田野调查。他的著作包括《仪式人:制作人种学和斯特罗收藏的回归》(纽约州立大学出版社,2020年)和《澳大利亚中部土著文化遗产的回归经验》(劳特利奇出版社,2024年)。Iain G. Johnston博士是澳大利亚堪培拉澳大利亚土著和托雷斯海峡岛民研究所(AIATSIS)文化遗产归还(RoCH)项目的高级研究员。十多年来,他与澳大利亚北部的土著社区广泛合作,共同探索岩石艺术、肖像学、物质文化和口述历史。自2019年以来,他与澳大利亚各地的社区合作,将海外收藏机构的重要文化材料送回本国的保存地点,首先是文化遗产归还范围项目(2018-2020),现在是RoCH计划(2020-2024)。Michael Cawthorn是墨尔本迪肯大学的副研究员。在过去的二十年里,他一直与澳大利亚中部的土著人一起从事文化遗产材料的遣返工作。迈克尔曾任北领地博物馆和美术馆(MAGNT)副馆长,负责管理博物馆的土著遣返计划。从2012年起,他在文化材料和祖先遗骸的遣返、土著头衔、文化地图绘制和遗址保护等领域担任人类学家顾问。
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Repatriation of aboriginal sacred objects: prospects for the return of the poorly provenanced
ABSTRACTThis paper explores the challenges of repatriating poorly documented Aboriginal sacred religious objects from Central Australia. The authors present an overview of historical endeavours to repatriate these objects from Australian domestic museums and the progress of recent returns from international collections. Detailed documentation, including reference to an object’s specific relationship to places, people or ancestral stories is critical to ensuring that rightful contemporary Central Australian Aboriginal people can assume care and responsibility for any repatriated objects. The absence of provenance data and any other related collection documentation can therefore greatly inhibit the return of these objects to present-day custodians. Exploring the prospect of returning large numbers of poorly provenanced sacred objects back to Australia, this paper argues that aside from the potential logistical or infrastructure requirements of repatriating these items, the development of Indigenous cultural frameworks and innovations will be critical to any meaningful repatriation outcomes.KEYWORDS: Repatriation, religious items, Aboriginal heritage, museum ethnography, Indigenous cultural heritage Disclosure statementNo potential conflict of interest was reported by the author(s).Notes1 In this paper, the authors use tywerrenge to describe the specific sacred items following Henderson and Dobson (Citation2020, 334); other spellings are only used when pertinent to the discussion. These items are typically sacred stones and boards inscribed with motifs associated with particular Dreaming Beings and localities and are a key element in the ritual paraphernalia of Central Australia. The term also encompasses ritual designs and dances (Strehlow Citation1997,14–18, 84)..2 This section has been informed further via pers. comm with Ross Chadwick at the Western Australian Museum and Indigenous consultant Peter White, both on October 1st 2021.3 Research of women’s restricted material was not undertaken by the male authors of this paper but by women at AIATSIS.4 Peter White, pers. comm. October 1st 2021.5 Ross Chadwick, pers. Comm. October 1st 2021.Additional informationFundingThis work was supported by Australian Research Council [Grant Number DE220100206].Notes on contributorsJason GibsonDr Jason M. Gibson is Senior Research Fellow and Lecturer in cultural heritage and museum studies at Deakin University, Melbourne, Australia. He has worked extensively with Aboriginal custodians throughout Australia on history, museum, and heritage-related projects and has conducted collaborative ethnographic fieldwork in Central Australia for the past two decades. His books include Ceremony Men: Making Ethnography and the Return of the Strehlow Collection (SUNY Press, 2020) and Repatriation of Indigenous Cultural Heritage Experiences of Return in Central Australia (Routledge 2024).Iain G. JohnstonDr Iain G. Johnston is a Senior Researcher in the Return of Cultural Heritage (RoCH) Programme at the Australian Institute of Aboriginal and Torres Straits Islander Studies (AIATSIS), Canberra, Australia. For more than ten years, he has worked extensively with Aboriginal communities in northern Australia on collaborative projects to explore rock art, iconography, material culture and oral histories. Since 2019, he has partnered with communities across Australia to repatriate significant cultural material from overseas collecting institutions to their keeping places on Country, first with the Return of Cultural Heritage scoping project (2018-2020) and now the RoCH Program (2020-2024).Michael CawthornMichael Cawthorn is an Associate Research Fellow with Deakin University in Melbourne. He has worked with central Australian Aboriginal men over the past twenty years on the repatriation of cultural heritage materials. Michael was previously Deputy Director with the Museum and Art Gallery of the Northern Territory (MAGNT) where he managed the museum’s Indigenous Repatriation Program. From 2012 he worked as a consultant anthropologist in the areas of repatriation of cultural material and Ancestral remains, native title, cultural mapping, and site protection.
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来源期刊
Museum Management and Curatorship
Museum Management and Curatorship HUMANITIES, MULTIDISCIPLINARY-
CiteScore
4.60
自引率
28.60%
发文量
54
期刊介绍: Museum Management and Curatorship (MMC) is a peer-reviewed, international journal for museum professionals, scholars, students, educators and consultants that examines current issues in depth, and provides up-to-date research, analysis and commentary on developments in museum practice. It is published quarterly and all submitted manuscripts will undergo double-blind review. The journal encourages a continuous reassessment of collections management, administration, archives, communications, conservation, diversity, ethics, globalization, governance, interpretation, leadership, management, purpose/mission, public service, new technology and social responsibility.
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