Contributors’ Notes

Other| September 01 2023 Contributors’ Notes Journal of Popular Music Studies (2023) 35 (3): 144–145. https://doi.org/10.1525/jpms.2023.35.3.144 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Contributors’ Notes. Journal of Popular Music Studies 1 September 2023; 35 (3): 144–145. doi: https://doi.org/10.1525/jpms.2023.35.3.144 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentJournal of Popular Music Studies Search Anjeline De Dios is a cultural geographer and vocal performer who creates and studies emergent spaces of sound, healing, and change. She previously worked in academia as a university professor of cultural studies, and in systems-led innovation as a strategic researcher. Currently, she is an independent researcher, performing artist, meditation and systems-change facilitator, and consulting divination practitioner. Wendy Fonarow, Ph.D., is a Los Angeles based anthropologist specializing in live music, performance, and ritual. She is a Chair of the Anthropology Department at Glendale College. She is author of Empire of Dirt: The Aesthetics and Rituals of British Indie Music (Wesleyan). She has been a contributor to The Guardian and other media publications. Justin Gardner is an Associate Professor in Psychology at Stanford, where he heads the Gardner lab. He and his team use a combination of functional magnetic resonance imaging, computational modeling... You do not currently have access to this content.