独立乌克兰视觉文化中母亲形象的转变

A. Avershyna
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 The purpose of the article is to carry out a cultural reception of the image of a mother woman in visual culture as a reflection of socio-cultural dynamics in independent Ukraine. To define the peculiarities of female images in interpretive models of visual studios, to investigate the dynamics of the image of a mother woman during the years of independence, as well as to explain the culturally significant meanings of the variable spectrum of the image of a mother woman in the visual space of independent Ukraine.
 The methodology of scientific research is determined by the use of methods of cultural studies, history and sociology. The method of culturology allows us to reveal the specifics of the representation of female images in visual culture. The sociocultural method involves the analysis of the visual component of the Ukrainian Internet environment, as well as establishing the interdependence of visual culture and social changes. Historical method allows to trace the context of visual transformations.
 The results. It was proved that the image of a mother woman, peculiar to the traditional Ukrainian culture, during the first years of independence was transformed into the mythologem of Berehynia and personified the national idea. Throughout the 1990s, the image embodied the idea of state sovereignty. The period of the 2000s for mass culture was characterized by the depiction of gender-stereotypical images of motherhood and women in the role of a housewife with the emergence of the domestic violence problem. The Revolution of Dignity conditioned the narrative of struggle, which filled the image of a woman-mother with the concept of militancy. As a result of the political and historical processes taking place until today, the concept of motherhood was filled with motives of protection of one’s own land, sacrifice for the protection of one’s own child.
 The scientific novelty of the research. For the first time, the transformation of the image of a mother woman, represented in the visual culture of Ukraine during the period of independence, is considered.
 The practical significance. The results of the research can be used to study the modern visual culture of Ukraine, in further investigations of mass media and research of feminine images represented in the visual culture of Ukraine.","PeriodicalId":33223,"journal":{"name":"Kul''tura Ukrayini","volume":"12 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-09-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Transformation of the image of a mother woman in the visual culture of independent Ukraine\",\"authors\":\"A. Avershyna\",\"doi\":\"10.31516/2410-5325.081.01\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The relevance of the article lies in the analysis of the transformation of the image of a mother woman in the visual culture of independent Ukraine. The patriarchal stereotypical perception of femininity is being transformed in Ukrainian visual culture. Since Ukraine has gained its independence, the perception of the traditional role of women in society began to change under the influence of socio-cultural processes.
 The purpose of the article is to carry out a cultural reception of the image of a mother woman in visual culture as a reflection of socio-cultural dynamics in independent Ukraine. To define the peculiarities of female images in interpretive models of visual studios, to investigate the dynamics of the image of a mother woman during the years of independence, as well as to explain the culturally significant meanings of the variable spectrum of the image of a mother woman in the visual space of independent Ukraine.
 The methodology of scientific research is determined by the use of methods of cultural studies, history and sociology. The method of culturology allows us to reveal the specifics of the representation of female images in visual culture. The sociocultural method involves the analysis of the visual component of the Ukrainian Internet environment, as well as establishing the interdependence of visual culture and social changes. Historical method allows to trace the context of visual transformations.
 The results. It was proved that the image of a mother woman, peculiar to the traditional Ukrainian culture, during the first years of independence was transformed into the mythologem of Berehynia and personified the national idea. Throughout the 1990s, the image embodied the idea of state sovereignty. The period of the 2000s for mass culture was characterized by the depiction of gender-stereotypical images of motherhood and women in the role of a housewife with the emergence of the domestic violence problem. The Revolution of Dignity conditioned the narrative of struggle, which filled the image of a woman-mother with the concept of militancy. As a result of the political and historical processes taking place until today, the concept of motherhood was filled with motives of protection of one’s own land, sacrifice for the protection of one’s own child.
 The scientific novelty of the research. For the first time, the transformation of the image of a mother woman, represented in the visual culture of Ukraine during the period of independence, is considered.
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摘要

本文的相关性在于分析独立后乌克兰视觉文化中母亲形象的转变。在乌克兰的视觉文化中,男权对女性气质的刻板印象正在改变。自乌克兰获得独立以来,在社会文化进程的影响下,对妇女在社会中的传统作用的看法开始发生变化。本文的目的是对视觉文化中的母亲形象进行文化接受,作为独立乌克兰社会文化动态的反映。在视觉工作室的解释模型中定义女性形象的特殊性,调查独立时期母亲形象的动态,以及解释独立乌克兰视觉空间中母亲形象的可变光谱的文化意义。 科学研究的方法是由使用文化研究、历史和社会学的方法决定的。文化学的方法使我们能够揭示女性形象在视觉文化中的表现的具体特点。社会文化方法包括分析乌克兰互联网环境的视觉成分,以及建立视觉文化与社会变化的相互依存关系。历史方法允许跟踪视觉转换的上下文。 结果。事实证明,乌克兰传统文化所特有的母亲形象在独立的最初几年被转化为别列海尼亚的神话,成为民族观念的化身。在整个20世纪90年代,这一形象体现了国家主权的理念。21世纪头十年,随着家庭暴力问题的出现,大众文化的特点是对母性和妇女扮演家庭主妇角色的性别刻板印象的描绘。《尊严革命》限定了斗争的叙述,使女母亲的形象充满了战斗性的概念。直到今天所发生的政治和历史进程的结果是,母性的概念充满了保护自己的土地、为保护自己的孩子而牺牲的动机。研究的科学新颖性。这是第一次考虑独立时期乌克兰视觉文化中所代表的母亲形象的转变。 现实意义。研究结果可用于研究乌克兰的现代视觉文化,进一步调查大众传媒,研究乌克兰视觉文化中所代表的女性形象。
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Transformation of the image of a mother woman in the visual culture of independent Ukraine
The relevance of the article lies in the analysis of the transformation of the image of a mother woman in the visual culture of independent Ukraine. The patriarchal stereotypical perception of femininity is being transformed in Ukrainian visual culture. Since Ukraine has gained its independence, the perception of the traditional role of women in society began to change under the influence of socio-cultural processes. The purpose of the article is to carry out a cultural reception of the image of a mother woman in visual culture as a reflection of socio-cultural dynamics in independent Ukraine. To define the peculiarities of female images in interpretive models of visual studios, to investigate the dynamics of the image of a mother woman during the years of independence, as well as to explain the culturally significant meanings of the variable spectrum of the image of a mother woman in the visual space of independent Ukraine. The methodology of scientific research is determined by the use of methods of cultural studies, history and sociology. The method of culturology allows us to reveal the specifics of the representation of female images in visual culture. The sociocultural method involves the analysis of the visual component of the Ukrainian Internet environment, as well as establishing the interdependence of visual culture and social changes. Historical method allows to trace the context of visual transformations. The results. It was proved that the image of a mother woman, peculiar to the traditional Ukrainian culture, during the first years of independence was transformed into the mythologem of Berehynia and personified the national idea. Throughout the 1990s, the image embodied the idea of state sovereignty. The period of the 2000s for mass culture was characterized by the depiction of gender-stereotypical images of motherhood and women in the role of a housewife with the emergence of the domestic violence problem. The Revolution of Dignity conditioned the narrative of struggle, which filled the image of a woman-mother with the concept of militancy. As a result of the political and historical processes taking place until today, the concept of motherhood was filled with motives of protection of one’s own land, sacrifice for the protection of one’s own child. The scientific novelty of the research. For the first time, the transformation of the image of a mother woman, represented in the visual culture of Ukraine during the period of independence, is considered. The practical significance. The results of the research can be used to study the modern visual culture of Ukraine, in further investigations of mass media and research of feminine images represented in the visual culture of Ukraine.
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