嘻哈人声中的反焦点回指

IF 1.6 1区 艺术学 0 MUSIC MUSIC THEORY SPECTRUM Pub Date : 2023-10-10 DOI:10.1093/mts/mtad016
Mitchell Ohriner
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引用次数: 0

摘要

摘要本文探讨了嘻哈音乐中回指式歌词的音高内容。回指式歌词由开头重复、结尾新颖的诗句组成。因为新信息是在句子的末尾呈现的,所以句子的“语言焦点”就在句子的末尾。因此,从语调语音学的角度来看,音高往往会上升,以突出新的信息。然而,从嘻哈音乐的角度来看,台词趋向于往下走。使用语料库方法,我记录了“焦点一致”传递的一般趋势,其中音调高度支持新信息。然后,我探讨了“反焦点”传递的含义——在B-Real、诗人纳吉·奥马尔和肯德里克·拉马尔的例子中,重复文本的音调更高。我希望这些例子能吸引其他学者通过语调音韵学和音乐分析来同时观察声乐表演,而且,音高轮廓和音韵学原理之间的对应关系可能会被证明是有用的,因为在“嘻哈”的旗帜下,唱歌、背诵和说唱越来越多地共存。
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Antifocal Anaphoras in Hip-Hop Vocals
Abstract This article examines the pitch content of the delivery of anaphoric lyrics in hip-hop. Anaphoric lyrics consist of lines with a reiterated beginning and a novel ending. Because new information is presented at the ends of lines, the “linguistic focus” of the line is at the end. Therefore, from the standpoint of intonational phonetics, pitch height would tend to rise to highlight the new information. However, from the standpoint of hip-hop delivery, lines tend to descend toward the end. Using a corpus approach, I document a general tendency toward “focally consistent” delivery in which pitch height supports new information. Then, I explore the afforded meanings of “antifocal” delivery—delivery in which the repeated text is pitched higher—in examples from B-Real, the poet Najee Omar, and Kendrick Lamar. I hope that these examples will attract other scholars to view vocal performances simultaneously through lenses of intonational phonology and music analysis and, further, that correspondences between pitch contours and principles of phonology might prove useful as singing, reciting, and rapping increasingly coexist under the banner of “hip-hop.”
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来源期刊
CiteScore
2.30
自引率
20.00%
发文量
15
期刊介绍: A leading journal in the field and an official publication of the Society for Music Theory, Music Theory Spectrum features articles on a wide range of topics in music theory and analysis, including aesthetics, critical theory and hermeneutics, history of theory, post-tonal theory, linear analysis, rhythm, music cognition, and the analysis of popular musics. The journal welcomes interdisciplinary articles revealing intersections with topics in other fields such as ethnomusicology, mathematics, musicology, philosophy, psychology, and performance. For further information about Music Theory Spectrum, please visit the Society for Music Theory homepage.
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