历史上国家及其作家的命运。他们在立陶宛文学中的悲剧与成功

Jūratė Landsbergytė-Becher
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摘要

立陶宛作家和国家的命运有着交织在一起的意义,它们的维度打开了历史上一个痛苦的相关方面。当作家成为历史上的反英雄甚至殉道者,仿佛被“黑暗吞噬”或被敌视国家的势力所占据时,出现了一些令人信服的命运破碎案例。文学成功陷入黑暗的迹象标志着一些立陶宛作家的命运,如Salomėja Nėris (1904-1945), Petras Cvirka(1909-1947)和Kostas Kubilinskas(1923-1962),显示了国家与作家之间交集的戏剧的决定性因素。反之亦然,当写作过程进入历史开放之光,以其命运般的从失落的深处和坟墓的黑暗中崛起,照亮和改变文学过程的范式。流亡中的达利亚博士Grinkevičiūtė(1927-1987)的命运就是这样一个特例。Kristina sabaliauskaitje(*1974)在媒体中的文学展开和繁荣代表了当代立陶宛作家在国际层面上关于国家地位的创作作品的成功顶峰。她的著作《Silva rerum》和《彼得的皇后》以其独特的方式表达了过去时代的现代化,在今天发挥了国家和公民起源的更新作用,导致了被遗忘的国家地位的动态。它对作家风格的审美维度、对巴洛克风格的热情以及作为对历史的向往的国家地位的复兴具有至关重要的意义。
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Destinies of the State and its Writers in History. Dimensions of Their Tragedy and Success in Lithuanian Literature
The destiny of Lithuanian writers and the state carry intertwined meanings opening their dimensions to a painfully relevant aspect of history. Several compelling fate-fracturing cases emerged when the writer became an anti-hero or even a martyr in history as if being “swallowed by darkness” or possessed by forces hostile to the state. The signs of the literary success sinking into darkness marked the destinies of some Lithuanian writers like Salomėja Nėris (1904–1945), Petras Cvirka (1909–1947), and Kostas Kubilinskas (1923–1962), showing the decisive factor in the dramaturgy of the intersection between the state and the writer. It can be vice versa when the process of writing breaks into the light of historical openness, illuminating and changing the paradigm of literary processes with its fateful rise out of the depths of loss and the darkness of the grave. The fate of doctor Dalia Grinkevičiūtė (1927–1987) in exile can be such a particular case. The literary unfolding and flourishing in the media of Kristina Sabaliauskaitė (*1974) represents the culmination of the contemporary Lithuanian writers’ success on the international level in creative works about statehood. Her books, “Silva rerum” and “Petro Imperatorė” [Peter’s Empress], with their unique expression of the modernisation of the past times, play the role of the renewal of the genesis of the state and the citizen in the present day leading to the dynamics of forgotten statehood. It has a crucial significance for the aesthetic dimension of the writer’s style, its passion for baroque, and the revival of statehood as a yearning for history.
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