{"title":"天主教,文化民族主义和传统舞蹈在爱尔兰和克罗地亚社区在澳大利亚","authors":"Jeanette Mollenhauer","doi":"10.1080/14755610.2023.2281383","DOIUrl":null,"url":null,"abstract":"ABSTRACTThis article describes the tripartite relationship between the Catholic Church, nationalism and traditional dance in the Irish and Croatian communities in Australia. Within both homeland and diasporic milieux, dance embodies culturally specific knowledge that binds communities and transmits that knowledge to subsequent generations. In Ireland, the Catholic Church not only exerted political power; it directly influenced many aspects of dance praxis. In Australia, the Church and its ancillary organisations took an active role in fostering dance activities including competitions for several decades, until specific bodies for dance administration were established. Likewise in Croatia, the Catholic Church promoted specific Croatian cultural activities such as dance through several iterations of colonisation. In Australia, the Church provided requisite infrastructure for dance activities to be replicated in the new environment. These two community case studies exemplify the vital role of the Catholic Church in supporting traditional customs to maintain cultural identity in the homeland and to support immigrants as they recontextualise that identity and reconfigure their lives in a novel environment.KEYWORDS: Catholiccultural nationalismdanceimmigrantAustralia Disclosure statementNo potential conflict of interest was reported by the author(s).Notes1. This genre is also the most publicly recognised, since it is from step dancing that Riverdance and other stage shows developed.2. There are other associations for Irish step dance, but the IDC is the one formulated by the Gaelic League, and it remains the largest and most globally dominant, including in Australia.3. The Trove database may be found at https://trove.nla.gov.au/.4. Freeman’s Journal, 1 April 1863, 5.5. The Australian, 7 January 1882, 19.6. Freeman’s Journal, 24 March 1883, 16.7. Freeman’s Journal, 10 March 1910, 17.8. National Advocate, 23 March 1915, 2.9. Mudgee Guardian and North-Western Representative, 31 March 1924, 16.10. Catholic Weekly, 18 March 1954, 23.11. Freeman’s Journal, 21 February 1880, 11.12. The Australian Star, 23 May 1893, 6.13. Freeman’s Journal, 8 January 1925, 11.14. The Catholic Press, 3 February, 1916, 37.15. Catholic Weekly, 10 February 1944, 7.16. LADO: National Folk Dance Ensemble of Croatia. http://www.lado.hr/en/.17. Pronounced koom-pa-nee-ah. The spelling of this word can vary; in Blato, it is usually spelled kumpanjija and because the Sydney troupe performs the dance from Blato, kumpanjija is the spelling that is used in this article.18. Vukovar is an adults’ group operating in Sydney. However, there are numerous children’s groups and the administrators of the group that I visited for fieldwork requested that I apply a pseudonym (Cvijet) to the group itself as well as to individuals associated with the group.","PeriodicalId":45190,"journal":{"name":"Culture and Religion","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2023-11-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Catholicism, cultural nationalism and traditional dance in the Irish and Croatian communities in Australia\",\"authors\":\"Jeanette Mollenhauer\",\"doi\":\"10.1080/14755610.2023.2281383\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACTThis article describes the tripartite relationship between the Catholic Church, nationalism and traditional dance in the Irish and Croatian communities in Australia. Within both homeland and diasporic milieux, dance embodies culturally specific knowledge that binds communities and transmits that knowledge to subsequent generations. In Ireland, the Catholic Church not only exerted political power; it directly influenced many aspects of dance praxis. In Australia, the Church and its ancillary organisations took an active role in fostering dance activities including competitions for several decades, until specific bodies for dance administration were established. Likewise in Croatia, the Catholic Church promoted specific Croatian cultural activities such as dance through several iterations of colonisation. In Australia, the Church provided requisite infrastructure for dance activities to be replicated in the new environment. These two community case studies exemplify the vital role of the Catholic Church in supporting traditional customs to maintain cultural identity in the homeland and to support immigrants as they recontextualise that identity and reconfigure their lives in a novel environment.KEYWORDS: Catholiccultural nationalismdanceimmigrantAustralia Disclosure statementNo potential conflict of interest was reported by the author(s).Notes1. This genre is also the most publicly recognised, since it is from step dancing that Riverdance and other stage shows developed.2. There are other associations for Irish step dance, but the IDC is the one formulated by the Gaelic League, and it remains the largest and most globally dominant, including in Australia.3. The Trove database may be found at https://trove.nla.gov.au/.4. Freeman’s Journal, 1 April 1863, 5.5. The Australian, 7 January 1882, 19.6. Freeman’s Journal, 24 March 1883, 16.7. Freeman’s Journal, 10 March 1910, 17.8. National Advocate, 23 March 1915, 2.9. Mudgee Guardian and North-Western Representative, 31 March 1924, 16.10. Catholic Weekly, 18 March 1954, 23.11. Freeman’s Journal, 21 February 1880, 11.12. The Australian Star, 23 May 1893, 6.13. Freeman’s Journal, 8 January 1925, 11.14. The Catholic Press, 3 February, 1916, 37.15. Catholic Weekly, 10 February 1944, 7.16. LADO: National Folk Dance Ensemble of Croatia. http://www.lado.hr/en/.17. Pronounced koom-pa-nee-ah. The spelling of this word can vary; in Blato, it is usually spelled kumpanjija and because the Sydney troupe performs the dance from Blato, kumpanjija is the spelling that is used in this article.18. Vukovar is an adults’ group operating in Sydney. 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引用次数: 0
摘要
摘要本文描述了澳大利亚爱尔兰和克罗地亚社区中天主教会、民族主义和传统舞蹈之间的三方关系。在祖国和流散的环境中,舞蹈体现了特定文化的知识,这些知识将社区联系在一起,并将这些知识传递给后代。在爱尔兰,天主教会不仅行使政治权力;它直接影响了舞蹈实践的许多方面。在澳大利亚,教会及其附属组织在促进舞蹈活动方面发挥了积极作用,包括几十年的比赛,直到建立了专门的舞蹈管理机构。同样,在克罗地亚,天主教会在几次殖民化过程中促进了具体的克罗地亚文化活动,如舞蹈。在澳大利亚,教会为舞蹈活动在新环境中复制提供了必要的基础设施。这两个社区案例说明了天主教会在支持传统习俗以保持祖国的文化认同方面发挥的重要作用,并支持移民在新环境中重新定位这种认同并重新配置他们的生活。关键词:天主教文化民族主义;移民;澳大利亚披露声明作者未报告潜在的利益冲突。这种类型也是最受公众认可的,因为大河舞和其他舞台表演是从踢踏舞发展而来的。还有其他的爱尔兰踢踏舞协会,但IDC是由盖尔联盟制定的,它仍然是最大的和最具全球主导地位的,包括在澳大利亚。可以在https://trove.nla.gov.au/.4上找到Trove数据库。弗里曼杂志,1863年4月1日,第5.5页。《澳大利亚人报》,1882年1月7日,19.6页。《弗里曼日报》,1883年3月24日,16.7页。《弗里曼日报》,1910年3月10日,17.8页。《国家倡导者》,1915年3月23日,第2.9页。Mudgee Guardian and northwest Representative, 1924年3月31日,16.10。天主教周刊,1954年3月18日,23.11。《弗里曼日报》,1880年2月21日,11.12页。《澳大利亚星报》,1893年5月23日,6.13。《弗里曼日报》,1925年1月8日,11.14。天主教出版社,1916年2月3日,37.15。天主教周刊,1944年2月10日,7.16。LADO:克罗地亚国家民间舞蹈团。http://www.lado.hr/en/.17。明显的koom-pa-nee-ah。这个单词的拼写可以变化;在Blato中,它通常拼写为kumpanjija,因为悉尼剧团表演的舞蹈来自Blato,所以kumpanjija是本文中使用的拼写。Vukovar是一个在悉尼运作的成人团体。然而,有许多儿童团体和我实地考察访问的团体的管理员要求我对团体本身以及与该团体有关的个人使用假名(Cvijet)。
Catholicism, cultural nationalism and traditional dance in the Irish and Croatian communities in Australia
ABSTRACTThis article describes the tripartite relationship between the Catholic Church, nationalism and traditional dance in the Irish and Croatian communities in Australia. Within both homeland and diasporic milieux, dance embodies culturally specific knowledge that binds communities and transmits that knowledge to subsequent generations. In Ireland, the Catholic Church not only exerted political power; it directly influenced many aspects of dance praxis. In Australia, the Church and its ancillary organisations took an active role in fostering dance activities including competitions for several decades, until specific bodies for dance administration were established. Likewise in Croatia, the Catholic Church promoted specific Croatian cultural activities such as dance through several iterations of colonisation. In Australia, the Church provided requisite infrastructure for dance activities to be replicated in the new environment. These two community case studies exemplify the vital role of the Catholic Church in supporting traditional customs to maintain cultural identity in the homeland and to support immigrants as they recontextualise that identity and reconfigure their lives in a novel environment.KEYWORDS: Catholiccultural nationalismdanceimmigrantAustralia Disclosure statementNo potential conflict of interest was reported by the author(s).Notes1. This genre is also the most publicly recognised, since it is from step dancing that Riverdance and other stage shows developed.2. There are other associations for Irish step dance, but the IDC is the one formulated by the Gaelic League, and it remains the largest and most globally dominant, including in Australia.3. The Trove database may be found at https://trove.nla.gov.au/.4. Freeman’s Journal, 1 April 1863, 5.5. The Australian, 7 January 1882, 19.6. Freeman’s Journal, 24 March 1883, 16.7. Freeman’s Journal, 10 March 1910, 17.8. National Advocate, 23 March 1915, 2.9. Mudgee Guardian and North-Western Representative, 31 March 1924, 16.10. Catholic Weekly, 18 March 1954, 23.11. Freeman’s Journal, 21 February 1880, 11.12. The Australian Star, 23 May 1893, 6.13. Freeman’s Journal, 8 January 1925, 11.14. The Catholic Press, 3 February, 1916, 37.15. Catholic Weekly, 10 February 1944, 7.16. LADO: National Folk Dance Ensemble of Croatia. http://www.lado.hr/en/.17. Pronounced koom-pa-nee-ah. The spelling of this word can vary; in Blato, it is usually spelled kumpanjija and because the Sydney troupe performs the dance from Blato, kumpanjija is the spelling that is used in this article.18. Vukovar is an adults’ group operating in Sydney. However, there are numerous children’s groups and the administrators of the group that I visited for fieldwork requested that I apply a pseudonym (Cvijet) to the group itself as well as to individuals associated with the group.