{"title":"高风险业务:澳大利亚歌剧生产中的政策遗产和性别不平等","authors":"Caitlin Vincent, Katya Johanson, Bronwyn Coate","doi":"10.1080/10286632.2023.2239266","DOIUrl":null,"url":null,"abstract":"ABSTRACT The field of cultural policy has seen a shift towards considerations of diversity, with government bodies increasingly leveraging funding to combat inequality within organisations. A barrier to this aim is a lack of quantitative data, which would provide a means to evaluate the impact of specific policies in practice. This article investigates the relationship between gender inequality at an organisational level and cultural policy at a sectoral level through a case study of Australia’s state-funded opera companies. Drawing on production data from 2005 to 2020, we consider women’s representation as conductors, directors, and designers at the state companies through the lens of Australia’s policy legacy. We find that women experience gender-based disadvantage across the key creative roles of opera production and are further negatively impacted by Australia’s existing policy landscape, which, reflecting the drivers of cultural and economic value, indirectly enables gender inequality in the field.","PeriodicalId":51520,"journal":{"name":"International Journal of Cultural Policy","volume":"8 1","pages":"0"},"PeriodicalIF":1.3000,"publicationDate":"2023-08-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Risky business: policy legacy and gender inequality in Australian opera production\",\"authors\":\"Caitlin Vincent, Katya Johanson, Bronwyn Coate\",\"doi\":\"10.1080/10286632.2023.2239266\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT The field of cultural policy has seen a shift towards considerations of diversity, with government bodies increasingly leveraging funding to combat inequality within organisations. A barrier to this aim is a lack of quantitative data, which would provide a means to evaluate the impact of specific policies in practice. This article investigates the relationship between gender inequality at an organisational level and cultural policy at a sectoral level through a case study of Australia’s state-funded opera companies. Drawing on production data from 2005 to 2020, we consider women’s representation as conductors, directors, and designers at the state companies through the lens of Australia’s policy legacy. We find that women experience gender-based disadvantage across the key creative roles of opera production and are further negatively impacted by Australia’s existing policy landscape, which, reflecting the drivers of cultural and economic value, indirectly enables gender inequality in the field.\",\"PeriodicalId\":51520,\"journal\":{\"name\":\"International Journal of Cultural Policy\",\"volume\":\"8 1\",\"pages\":\"0\"},\"PeriodicalIF\":1.3000,\"publicationDate\":\"2023-08-16\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"International Journal of Cultural Policy\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/10286632.2023.2239266\",\"RegionNum\":3,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"CULTURAL STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"International Journal of Cultural Policy","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/10286632.2023.2239266","RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
Risky business: policy legacy and gender inequality in Australian opera production
ABSTRACT The field of cultural policy has seen a shift towards considerations of diversity, with government bodies increasingly leveraging funding to combat inequality within organisations. A barrier to this aim is a lack of quantitative data, which would provide a means to evaluate the impact of specific policies in practice. This article investigates the relationship between gender inequality at an organisational level and cultural policy at a sectoral level through a case study of Australia’s state-funded opera companies. Drawing on production data from 2005 to 2020, we consider women’s representation as conductors, directors, and designers at the state companies through the lens of Australia’s policy legacy. We find that women experience gender-based disadvantage across the key creative roles of opera production and are further negatively impacted by Australia’s existing policy landscape, which, reflecting the drivers of cultural and economic value, indirectly enables gender inequality in the field.