{"title":"企业形象的标志性界面设计:平面设计的视角","authors":"Aaron Marcus","doi":"10.1016/0252-7308(84)90055-2","DOIUrl":null,"url":null,"abstract":"<div><p>Because computer graphics displays are using more non-alphanumeric symbolism to facilitate human-computer communication, graphic design, a discipline concerned with systematic information-oriented communication, is important in the design of the “corporate identity” of the human-computer interface. Principles of applied visual semiotics can be used to critique and create these dialogues. Case studies of the Star, Lisa and Metaform office automation systems are analyzed.</p></div>","PeriodicalId":100687,"journal":{"name":"Interfaces in Computing","volume":"2 4","pages":"Pages 365-378"},"PeriodicalIF":0.0000,"publicationDate":"1984-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1016/0252-7308(84)90055-2","citationCount":"0","resultStr":"{\"title\":\"Corporate identity for iconic interface design: The graphic design perspective\",\"authors\":\"Aaron Marcus\",\"doi\":\"10.1016/0252-7308(84)90055-2\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<div><p>Because computer graphics displays are using more non-alphanumeric symbolism to facilitate human-computer communication, graphic design, a discipline concerned with systematic information-oriented communication, is important in the design of the “corporate identity” of the human-computer interface. Principles of applied visual semiotics can be used to critique and create these dialogues. Case studies of the Star, Lisa and Metaform office automation systems are analyzed.</p></div>\",\"PeriodicalId\":100687,\"journal\":{\"name\":\"Interfaces in Computing\",\"volume\":\"2 4\",\"pages\":\"Pages 365-378\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1984-11-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1016/0252-7308(84)90055-2\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Interfaces in Computing\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://www.sciencedirect.com/science/article/pii/0252730884900552\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Interfaces in Computing","FirstCategoryId":"1085","ListUrlMain":"https://www.sciencedirect.com/science/article/pii/0252730884900552","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Corporate identity for iconic interface design: The graphic design perspective
Because computer graphics displays are using more non-alphanumeric symbolism to facilitate human-computer communication, graphic design, a discipline concerned with systematic information-oriented communication, is important in the design of the “corporate identity” of the human-computer interface. Principles of applied visual semiotics can be used to critique and create these dialogues. Case studies of the Star, Lisa and Metaform office automation systems are analyzed.