通过伤害获得声音:墨西哥城市Juárez动物权利运动中的声音和肉体

IF 1.9 1区 社会学 Q1 ANTHROPOLOGY Cultural Anthropology Pub Date : 2023-11-27 DOI:10.14506/ca38.4.05
IVÁN SANDOVAL-CERVANTES
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引用次数: 0

摘要

尽管暴力事件时有发生,但在整个墨西哥,保护非人类动物的行动主义正在兴起。活动人士,也被称为动物主义者,在为动物争取权利和福祉的过程中,把自己标榜为非人类动物的“代言人”。在曾经被认为是世界上最危险的边境城市Ciudad Juárez(2008-2012),动物主义者以复杂的方式与非人类的身体打交道,试图为它们“说话”。本文以Ciudad Juárez动物主义运动中受伤的身体和声音的关系为切入点,分析了受伤的身体和声音的关系。受伤的动物身体是活动人士关注的焦点,因为人为的暴力会改变狗的身体。非人类受伤的身体,以及它们的视觉表现,让动物主义者能够将自己定位为在虐待中幸存下来的动物的声音,同时也通过病理学的话语将针对狗的暴力个人化和去政治化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。

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GAINING VOICE THROUGH INJURY: Voice and Corporeality in Animal Rights Activism in Ciudad Juárez, Mexico

Activism in favor of non-human animals is on the rise throughout Mexico despite ongoing and episodic violence. Activists, also known as animalistas, represent themselves as the “voice” of non-human animals as they seek rights and well-being for animals. In Ciudad Juárez, a border city once considered the most dangerous city in the world (2008–2012), animalistas engage in complex ways with non-human bodies as they seek to “speak” for them. This article analyzes the relationship between injured bodies and voice in Ciudad Juárez's animalista movement, with the act of the rescue as the point of inception. Injured animal bodies prove central for activists because anthropogenic violence transforms dogs' bodies. Non-human injured bodies, and their visual representations, allow animalistas to position themselves as the voice of an animal that survived an abuse while also individualizing and depolitizicing—through the discourse of pathology—violence against dogs.

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来源期刊
Cultural Anthropology
Cultural Anthropology ANTHROPOLOGY-
CiteScore
4.80
自引率
0.00%
发文量
41
审稿时长
52 weeks
期刊介绍: Cultural Anthropology publishes ethnographic writing informed by a wide array of theoretical perspectives, innovative in form and content, and focused on both traditional and emerging topics. It also welcomes essays concerned with ethnographic methods and research design in historical perspective, and with ways cultural analysis can address broader public audiences and interests.
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