《水手长的伴侣》，音乐和歌词由埃塞尔·史密斯创作。瓦莱丽·兰菲尔德·朗塔诺合奏团版，奥达琳·德拉·马丁内斯指挥，纳丁·本杰明，sop;爱德华·李，十岁;杰里米·休·威廉姆斯，律师;西蒙·怀尔丁，贝斯;泰德·施密茨，10岁;丽贝卡·路易斯·戴尔，中音sop;马克·内森，酒吧回顾歌剧RO001, 2016(2张cd: 73分钟，74分钟)。——《匹克威克》，配乐爱德华·所罗门，剧本F.C.伯恩和《茶杯与碟子》，配乐和剧本乔治·格罗斯史密斯。西蒙·巴特里斯，律师;盖勒·基布尔，中音歌手;Toby Stafford-Allen，律师;亚历山德罗·麦金农，三冠王;由斯蒂芬·希金斯(Stephen Higgins)执导的钢琴回溯歌剧RO002, 2017(1张CD: 74分钟)。

{"title":"《水手长的伴侣》，音乐和歌词由埃塞尔·史密斯创作。瓦莱丽·兰菲尔德·朗塔诺合奏团版，奥达琳·德拉·马丁内斯指挥，纳丁·本杰明，sop;爱德华·李，十岁;杰里米·休·威廉姆斯，律师;西蒙·怀尔丁，贝斯;泰德·施密茨，10岁;丽贝卡·路易斯·戴尔，中音sop;马克·内森，酒吧回顾歌剧RO001, 2016(2张cd: 73分钟，74分钟)。——《匹克威克》，配乐爱德华·所罗门，剧本F.C.伯恩和《茶杯与碟子》，配乐和剧本乔治·格罗斯史密斯。西蒙·巴特里斯，律师;盖勒·基布尔，中音歌手;Toby Stafford-Allen，律师;亚历山德罗·麦金农，三冠王;由斯蒂芬·希金斯(Stephen Higgins)执导的钢琴回溯歌剧RO002, 2017(1张CD: 74分钟)。","authors":"William A. Everett","doi":"10.1017/s147940982100032x","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":41351,"journal":{"name":"Nineteenth-Century Music Review","volume":"562 ","pages":"119-125"},"PeriodicalIF":0.2000,"publicationDate":"2022-02-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Boatswain's Mate, music and libretto by Ethel Smyth. Edition by Valerie Langfield Lontano Ensemble, conducted by Odaline de la Martinez Nadine Benjamin, sop; Edward Lee, ten; Jeremy Huw Williams, bar; Simon Wilding, bass; Ted Schmitz, ten; Rebecca Louise Dale, mezzo-sop; Mark Nathan, bar Retrospect Opera RO001, 2016 (2 CDs: 73 minutes, 74 minutes). - Pickwick, music by Edward Solomon and libretto by F.C. Burnand Cups and Saucers, music and libretto by George Grossmith. Simon Butteriss, bar; Gaylor Keeble, mezzo-sop; Toby Stafford-Allen, bar; and Alessandro MacKinnon, treble; directed from the piano by Stephen Higgins Retrospect Opera RO002, 2017 (1 CD: 74 minutes).\",\"authors\":\"William A. Everett\",\"doi\":\"10.1017/s147940982100032x\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":41351,\"journal\":{\"name\":\"Nineteenth-Century Music Review\",\"volume\":\"562 \",\"pages\":\"119-125\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2022-02-14\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Nineteenth-Century Music Review\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1017/s147940982100032x\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Nineteenth-Century Music Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/s147940982100032x","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}