饿死下金蛋的鹅?为创意产业的创新者提供融资渠道

IF 1.9 2区 经济学 Q2 ECONOMICS Journal of Cultural Economics Pub Date : 2022-04-06 DOI:10.1007/s10824-022-09448-5
Salvatore Di Novo, Giorgio Fazio, Jonathan Sapsed, Josh Siepel
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引用次数: 2

摘要

本文扩展了对创意产业创新企业融资渠道的研究。虽然我们知道创业公司在申请资金和获得积极成果方面遇到障碍,但之前的研究表明,公司可能会使用专利向潜在投资者表明创新质量。然而,这些研究通常侧重于“传统”技术部门的研发导向创新。创意产业企业具有可能影响融资过程的不同创新特征,包括基于内容的产品市场的不确定性、创意企业家与保守投资者之间高度不平衡的信息不对称,以及其创新的象征性和无形性。利用英国创意产业委员会对575家公司的独特横断面调查数据,我们分析了创新公司寻求从广泛的潜在来源申请和获得资金的程度。我们发现很少有证据表明,之前的创新活动为创意产业公司的潜在资助者提供了有意义的信号,无论是积极的还是消极的。这表明,创意产业企业中创新的高度无形和象征性,作为质量指标是不可靠的。业主对个人资本的依赖与最近关于创意产业工人的高水平社会和个人资本的文献是一致的。我们建议,创意公司面临的具体挑战可以通过新的金融和政策工具来解决,以支持和维持这些高增长、创新的行业。
本文章由计算机程序翻译,如有差异,请以英文原文为准。

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Starving the golden goose? Access to finance for innovators in the creative industries

This paper extends research on innovating firms’ access to finance in the creative industries. While we know that entrepreneurial firms experience barriers to applying for funding and difficulties in securing positive outcomes, prior studies have shown that firms may use patents to signal innovative quality to potential investors. Yet these studies typically focus on R&D-oriented innovation in ‘traditional’ technological sectors. Creative industries firms have different innovation characteristics that may influence the funding process, including the uncertainty of content-based product markets, the highly-imbalanced information asymmetries between creative entrepreneurs and conservative investors, and the symbolic and intangible nature of their innovations. Using the UK‘s Creative Industries Council‘s unique cross-sectional survey data of 575 firms we analyse the extent to which innovating firms seek to apply to and achieve funding from a wide range of potential sources. We find little evidence that prior innovative activities provide a meaningful signal, positive or negative, to potential funders for creative industries firms. This suggests that the highly intangible and symbolic nature of innovation in creative industries businesses is unreliable as an indicator of quality. The reliance of owners on personal capital is congruent with recent literature on the high levels of social and personal capital among workers in the creative industries. We suggest that the specific challenges creative firms face may be addressed through new financial and policy instruments to feed and sustain these high-growth, innovating industries.

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来源期刊
CiteScore
5.20
自引率
18.50%
发文量
26
期刊介绍: Cultural economics is the application of economic analysis to all of the creative and performing arts, the heritage and cultural industries, whether publicly or privately owned. It is concerned with the economic organization of the cultural sector and with the behavior of producers, consumers and governments in that sector. The subject includes a range of approaches, mainstream and radical, neoclassical, welfare economics, public policy and institutional economics. The editors and editorial board of the Journal of Cultural Economics seek to attract the attention of the economics profession to this branch of economics, as well as those in related disciplines and arts practitioners with an interest in economic issues. The Journal of Cultural Economics publishes original papers that deal with the theoretical development of cultural economics as a subject, the application of economic analysis and econometrics to the field of culture, and with the economic aspects of cultural policy. Besides full-length papers, short papers and book reviews are also published.Officially cited as: J Cult Econ
期刊最新文献
Beyond the big screen: secondary channel releases and their impact on the theatrical market The “Bloomington Issue” Voter mobilization with public cultural spending in small communities: evidence from Austria The impact of cultural amenities on inter-urban location: a discrete choice experiment on French students Revising the canon: how Andy Warhol became the most important American modern artist
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