{"title":"博物馆、档案和性别","authors":"Ana Baeza Ruiz","doi":"10.1080/19369816.2018.1529268","DOIUrl":null,"url":null,"abstract":"ABSTRACTAs historians, we often still rely on physical archives to weave together piecemeal histories about museums, and a considerable body of critique has pointed to the archive’s partial qualities. In this respect, the growing interest in the study of gender and identity in museums has often overlooked how institutional archives – and the logics that govern them – may be also gendered. The paper addresses this problem, looking at scholarly work in archive studies to advocate a shift in the study of museum histories from ‘archives-as-things’ to ‘archiving-as-process’. New directions in museum studies, it argues, must attend to the materiality of museum archives regarding their construction of gendered narratives. The article casts light on this problem through the case study of a female typist at the National Gallery in the late 1940s. By exposing the rationality of the Gallery’s ‘archival forms’, the article suggests that such findings help us reframe the narratives of museum professionalisation about ...","PeriodicalId":52057,"journal":{"name":"Museum History Journal","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2018-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Museums, archives and gender\",\"authors\":\"Ana Baeza Ruiz\",\"doi\":\"10.1080/19369816.2018.1529268\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACTAs historians, we often still rely on physical archives to weave together piecemeal histories about museums, and a considerable body of critique has pointed to the archive’s partial qualities. In this respect, the growing interest in the study of gender and identity in museums has often overlooked how institutional archives – and the logics that govern them – may be also gendered. The paper addresses this problem, looking at scholarly work in archive studies to advocate a shift in the study of museum histories from ‘archives-as-things’ to ‘archiving-as-process’. New directions in museum studies, it argues, must attend to the materiality of museum archives regarding their construction of gendered narratives. The article casts light on this problem through the case study of a female typist at the National Gallery in the late 1940s. By exposing the rationality of the Gallery’s ‘archival forms’, the article suggests that such findings help us reframe the narratives of museum professionalisation about ...\",\"PeriodicalId\":52057,\"journal\":{\"name\":\"Museum History Journal\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2018-07-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Museum History Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/19369816.2018.1529268\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"HISTORY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Museum History Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/19369816.2018.1529268","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"HISTORY","Score":null,"Total":0}
ABSTRACTAs historians, we often still rely on physical archives to weave together piecemeal histories about museums, and a considerable body of critique has pointed to the archive’s partial qualities. In this respect, the growing interest in the study of gender and identity in museums has often overlooked how institutional archives – and the logics that govern them – may be also gendered. The paper addresses this problem, looking at scholarly work in archive studies to advocate a shift in the study of museum histories from ‘archives-as-things’ to ‘archiving-as-process’. New directions in museum studies, it argues, must attend to the materiality of museum archives regarding their construction of gendered narratives. The article casts light on this problem through the case study of a female typist at the National Gallery in the late 1940s. By exposing the rationality of the Gallery’s ‘archival forms’, the article suggests that such findings help us reframe the narratives of museum professionalisation about ...