博物馆、档案和性别

IF 0.1 Q3 HISTORY Museum History Journal Pub Date : 2018-07-03 DOI:10.1080/19369816.2018.1529268
Ana Baeza Ruiz
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引用次数: 1

摘要

摘要作为历史学家,我们仍然经常依赖于实物档案来拼凑博物馆的零碎历史,而相当多的批评指出了这些档案的部分性质。在这方面,对博物馆性别和身份研究的兴趣日益浓厚,往往忽视了机构档案-以及管理它们的逻辑-也可能是性别化的。本文解决了这一问题,着眼于档案研究中的学术工作,倡导博物馆历史研究从“档案作为物”转向“档案作为过程”。它认为,博物馆研究的新方向必须关注博物馆档案在构建性别叙事方面的物质性。这篇文章通过对20世纪40年代末国家美术馆一位女打字员的案例研究来阐明这个问题。通过揭示美术馆“档案形式”的合理性,本文认为这些发现有助于我们重新构建博物馆专业化的叙事。
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Museums, archives and gender
ABSTRACTAs historians, we often still rely on physical archives to weave together piecemeal histories about museums, and a considerable body of critique has pointed to the archive’s partial qualities. In this respect, the growing interest in the study of gender and identity in museums has often overlooked how institutional archives – and the logics that govern them – may be also gendered. The paper addresses this problem, looking at scholarly work in archive studies to advocate a shift in the study of museum histories from ‘archives-as-things’ to ‘archiving-as-process’. New directions in museum studies, it argues, must attend to the materiality of museum archives regarding their construction of gendered narratives. The article casts light on this problem through the case study of a female typist at the National Gallery in the late 1940s. By exposing the rationality of the Gallery’s ‘archival forms’, the article suggests that such findings help us reframe the narratives of museum professionalisation about ...
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CiteScore
0.50
自引率
0.00%
发文量
8
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