哈亚的政治:阿依莎·马利克小说中作为日常反抗的英国穆斯林妇女虔诚的物质性体现

IF 0.2 4区 哲学 0 LITERARY THEORY & CRITICISM Literature and Theology Pub Date : 2021-09-30 DOI:10.1093/litthe/frab031
Sumera Saleem
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引用次数: 0

摘要

本文探讨了阿伊莎·马利克(Ayisha Malik)的小说《索菲亚·汗没有义务》(2015)和《幸福的另一半》(2017)中所体现的谦逊的伦理实践,如何在后殖民时期南亚英国性别不平等问题的背景下作为日常抵抗行为。它试图理解以戴头巾的形式表现出来的宗教形式是如何与占主导地位的权力结构对抗的。然而,借鉴萨巴·马哈茂德(Saba Mahmood)在《虔诚的政治》(Politics of Piety, 2004)中对女性能动性的理论,将其作为一种具体的行动形态,而不仅仅是对社会规范的抵抗的同义词,本文进一步论证了小说中的女性身体通过对日常抵抗的具体物质性的概念,重塑了对宗教经验的理解。
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Politics of Haya: Embodied Materiality of Piety as Everyday Resistance among British Muslim Women in Ayisha Malik's Fiction
This article explores how an ethical practice of modesty, represented in Ayisha Malik’s novels Sofia Khan Is Not Obliged (2015), and The Other Half of Happiness (2017), serves as an act of everyday resistance in the context of the issue of gender inequality in postcolonial South Asian Britain. It attempts to understand how religious modalities of agency, shown in the form of wearing hijab, operate against the dominant structures of power. However, drawing on Saba Mahmood’s theorisation of women’s agency in Politics of Piety (2004) as an embodied modality of action rather than simply a synonym for resistance to social norms, this article further argues that the female body in this fiction reshapes the understanding of religious experience through the conception of an embodied materiality of everyday resistance.
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来源期刊
CiteScore
0.30
自引率
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发文量
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期刊介绍: Literature and Theology, a quarterly peer-review journal, provides a critical non-confessional forum for both textual analysis and theoretical speculation, encouraging explorations of how religion is embedded in culture. Contributions should address questions pertinent to both literary study and theology broadly understood, and be consistent with the Journal"s overall aim: to engage with and reshape traditional discourses within the studies of literature and religion, and their cognate fields - biblical criticism, literary criticism, philosophy, politics, culture studies, gender studies, artistic theory/practice, and contemporary critical theory/practice.
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