狄更斯的清单

IF 0.7 1区 文学 0 LITERATURE, BRITISH ISLES DICKENS QUARTERLY Pub Date : 2023-11-29 DOI:10.1353/dqt.2023.a913292
Dominic Rainsford
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A cumulative cross-referenced edition of the Checklist, consisting of listings since vol. 37, no. 1 (March 2020), is available at</em> dickenssociety.org<em>, and is updated once a year</em>.</p> Dominic Rainsford Aarhus University <h2>Secondary Sources: Biography and Criticism</h2> Aldridge, Mark. \"'I Read My Dickens': Agatha Christie's Unproduced Film Adaptation of <em>Bleak House</em>.\" <em>Historical Journal of Film, Radio and Television</em>, vol. 43, no. 2, 2023, pp. 400–18. <p>Google Scholar</p> Bell, Emily. \"Wilkie Collins and Dickens.\" <em>Wilkie Collins in Context</em>, edited by William Baker and Richard Nemesvari, Cambridge UP, 2023, pp. 184–89. <p>Google Scholar</p> D'Alessandro, Michael. \"Dickens and Shakespeare and Longfellow, Oh My! Staging the Fan Canon at the Nineteenth-Century Authors' Carnivals.\" <em>American Literary History</em>, vol. 35, no. 2, Summer 2023, pp. 715–43. <p>Google Scholar</p> <em>Dickens Quarterly</em>, vol. 40, no. 3, Sept. 2023. [Tamara S. Wagner, \"'Accidents will happen': Dickens's Comical Mishaps,\" pp. 277–300; Masayo Hasegawa: \"'Fact' versus 'Fancy' among Victorian Professionals in <em>Hard Times</em>,\" pp. 301–20; Dana Pines, \"Charles Dickens &amp; Sir Philip Sidney: <em>Hard Times</em>, An Equine Defence for the Novel,\" pp. 321–40; Jennifer Judge, \"The Juvenalian Satire of <em>Our Mutual Friend</em>,\" pp. 341–61; William F. Long, \"Boz, New York and a Temperance Aphorism,\" pp. 362–75; Jeremy Tambling, review of <em>Dickens and Victorian Psychology: Introspection, First-Person Narration, and the Mind</em>, by Tyson Stolte, pp. 376–81; Norbert Lennartz, review of <em>Goethe und Dickens als christliche Dichter</em>, by Vittorio Hösle, pp. 381–84; James Eli Adams, review of <em>Queer Economic Dissonance and Victorian Literature</em>, by Meg Dobbins, pp. 384–87; Iain Crawford, review of <em>The Afterlife of Enclosure: British Realism, Character, and the Commons</em>, by Carolyn Lesjak, pp. 387–91; Robert L. Patten, review of <em>On Style in Victorian Fiction</em>, edited by Daniel Tyler, pp. 391–95; Dominic Rainsford, \"The Dickens Checklist,\" pp. 404–06] <p>Google Scholar</p> <p>Google Scholar</p> <p>Google Scholar</p> <p>Google Scholar</p> <p>Google Scholar</p> <p>Google Scholar</p> <p>Google Scholar</p> <p>Google Scholar</p> <p>Google Scholar</p> <p>Google Scholar</p> <p>Google Scholar</p> <p>Google Scholar</p> <em>The Dickensian</em>, vol. 119, part 1, no. 519, Spring 2023. [Joshua Clayton, \"Pip and Joe, Ever the Best of Friends,\" pp. 6–24; Masayo Hasegawa, \"Contrasting Uses of Rhetoric in <em>Hard Times</em>,\" pp. 25–35; Michael Steele, \"Why did Dickens grow his beard?,\" pp. 36–47; Nick Cambridge and Heather Massey, \"Dickens and Hydrotherapy,\" pp. 48–58; Dick Kooiman, \"Some Early Dutch Dickensians,\" pp. 59–68; M. C. Lang, \"A Tale of Two Monkeys,\" pp. 69–75; Robert C. Hanna, \"A Note on Textual Errors in <em>Sketches by Boz</em>,\" pp. 76–77; John Kyriacou and Patricia Wiltshire, letters to the Editor (concerning CD and Ellen Ternan), pp. 78–82; Joel J. Brattin, review of <em>Charles Dickens: A Guide to the Collected Editions</em>, by Andrew Spencer, pp. 83–84; Isobel Sigley, review of <em>Victorian Surfaces in Nineteenth-Century Literature and Culture: Skin, Silk, and Show</em>, edited by Sibylle Baumbach and Ulla Ratheiser, pp. 85–87; Magdalena Pypeć, review of <em>Dickens and Victorian Psychology: Introspection, First-Person Narration, and the Mind</em>, by Tyson Stolte, pp. 87–90; Emily Vause, review of <em>Narrating Trauma: Victorian Novels and Modern Stress Disorders</em>, by Gretchen Braun, pp. 90–92; Emily Bell, reviews of <em>Spirited</em> (Apple TV+) and <em>Christmas Carole</em> (Sky Comedy), pp. 93–95; Leon Litvack, review of <em>To Be Read At Dusk: Dickens, Ghosts and the Supernatural</em> (exhibition, Charles Dickens Museum), pp. 96–98; Rick Allen, review of <em>Executions: 700 Years of Public Punishments in London</em> (exhibition, Museum of London), pp. 98–101; Marzia Dati, review of <em>Genova e il Natale con gli occhi di Dickens</em> (exhibition, Villa Duchessa Di Galliera, Genova), pp. 101–02; \"Fellowship Notes and News,\" pp. 103–25; \"The Charles Dickens Museum,\" pp. 126–29] <p>Google Scholar</p> <p>Google Scholar</p> <p>Google Scholar</p> <p>Google Scholar</p> <p>Google Scholar</p> <p>Google Scholar</p> <p>Google Scholar</p> <p>Google Scholar</p> <p>Google Scholar</p> <p>Google Scholar</p> <p>Google Scholar</p> <p>Google Scholar</p> <p>Google Scholar</p> <p>Google Scholar</p> <p>Google Scholar</p> <p>Google Scholar</p> <p>Google Scholar</p> <p>Google Scholar</p> <p>Google Scholar</p> Dotson, Emily. \"Daddy's Little Angel in the House: The Managing Daughter and the Incest Taboo.\" <em>The Routledge Handbook...</em> </p>","PeriodicalId":41747,"journal":{"name":"DICKENS QUARTERLY","volume":"219 1","pages":""},"PeriodicalIF":0.7000,"publicationDate":"2023-11-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Dickens Checklist\",\"authors\":\"Dominic Rainsford\",\"doi\":\"10.1353/dqt.2023.a913292\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<span><span>In lieu of</span> an abstract, here is a brief excerpt of the content:</span>\\n<p> <ul> <li><!-- html_title --> The Dickens Checklist <!-- /html_title --></li> <li> Dominic Rainsford </li> </ul> <p><em>The Dickens Checklist, recording new publications, doctoral dissertations, and online resources of significance for Dickens studies, appears in each issue of the journal. A cumulative cross-referenced edition of the Checklist, consisting of listings since vol. 37, no. 1 (March 2020), is available at</em> dickenssociety.org<em>, and is updated once a year</em>.</p> Dominic Rainsford Aarhus University <h2>Secondary Sources: Biography and Criticism</h2> Aldridge, Mark. \\\"'I Read My Dickens': Agatha Christie's Unproduced Film Adaptation of <em>Bleak House</em>.\\\" <em>Historical Journal of Film, Radio and Television</em>, vol. 43, no. 2, 2023, pp. 400–18. <p>Google Scholar</p> Bell, Emily. \\\"Wilkie Collins and Dickens.\\\" <em>Wilkie Collins in Context</em>, edited by William Baker and Richard Nemesvari, Cambridge UP, 2023, pp. 184–89. <p>Google Scholar</p> D'Alessandro, Michael. \\\"Dickens and Shakespeare and Longfellow, Oh My! Staging the Fan Canon at the Nineteenth-Century Authors' Carnivals.\\\" <em>American Literary History</em>, vol. 35, no. 2, Summer 2023, pp. 715–43. <p>Google Scholar</p> <em>Dickens Quarterly</em>, vol. 40, no. 3, Sept. 2023. [Tamara S. Wagner, \\\"'Accidents will happen': Dickens's Comical Mishaps,\\\" pp. 277–300; Masayo Hasegawa: \\\"'Fact' versus 'Fancy' among Victorian Professionals in <em>Hard Times</em>,\\\" pp. 301–20; Dana Pines, \\\"Charles Dickens &amp; Sir Philip Sidney: <em>Hard Times</em>, An Equine Defence for the Novel,\\\" pp. 321–40; Jennifer Judge, \\\"The Juvenalian Satire of <em>Our Mutual Friend</em>,\\\" pp. 341–61; William F. Long, \\\"Boz, New York and a Temperance Aphorism,\\\" pp. 362–75; Jeremy Tambling, review of <em>Dickens and Victorian Psychology: Introspection, First-Person Narration, and the Mind</em>, by Tyson Stolte, pp. 376–81; Norbert Lennartz, review of <em>Goethe und Dickens als christliche Dichter</em>, by Vittorio Hösle, pp. 381–84; James Eli Adams, review of <em>Queer Economic Dissonance and Victorian Literature</em>, by Meg Dobbins, pp. 384–87; Iain Crawford, review of <em>The Afterlife of Enclosure: British Realism, Character, and the Commons</em>, by Carolyn Lesjak, pp. 387–91; Robert L. Patten, review of <em>On Style in Victorian Fiction</em>, edited by Daniel Tyler, pp. 391–95; Dominic Rainsford, \\\"The Dickens Checklist,\\\" pp. 404–06] <p>Google Scholar</p> <p>Google Scholar</p> <p>Google Scholar</p> <p>Google Scholar</p> <p>Google Scholar</p> <p>Google Scholar</p> <p>Google Scholar</p> <p>Google Scholar</p> <p>Google Scholar</p> <p>Google Scholar</p> <p>Google Scholar</p> <p>Google Scholar</p> <em>The Dickensian</em>, vol. 119, part 1, no. 519, Spring 2023. [Joshua Clayton, \\\"Pip and Joe, Ever the Best of Friends,\\\" pp. 6–24; Masayo Hasegawa, \\\"Contrasting Uses of Rhetoric in <em>Hard Times</em>,\\\" pp. 25–35; Michael Steele, \\\"Why did Dickens grow his beard?,\\\" pp. 36–47; Nick Cambridge and Heather Massey, \\\"Dickens and Hydrotherapy,\\\" pp. 48–58; Dick Kooiman, \\\"Some Early Dutch Dickensians,\\\" pp. 59–68; M. C. Lang, \\\"A Tale of Two Monkeys,\\\" pp. 69–75; Robert C. Hanna, \\\"A Note on Textual Errors in <em>Sketches by Boz</em>,\\\" pp. 76–77; John Kyriacou and Patricia Wiltshire, letters to the Editor (concerning CD and Ellen Ternan), pp. 78–82; Joel J. Brattin, review of <em>Charles Dickens: A Guide to the Collected Editions</em>, by Andrew Spencer, pp. 83–84; Isobel Sigley, review of <em>Victorian Surfaces in Nineteenth-Century Literature and Culture: Skin, Silk, and Show</em>, edited by Sibylle Baumbach and Ulla Ratheiser, pp. 85–87; Magdalena Pypeć, review of <em>Dickens and Victorian Psychology: Introspection, First-Person Narration, and the Mind</em>, by Tyson Stolte, pp. 87–90; Emily Vause, review of <em>Narrating Trauma: Victorian Novels and Modern Stress Disorders</em>, by Gretchen Braun, pp. 90–92; Emily Bell, reviews of <em>Spirited</em> (Apple TV+) and <em>Christmas Carole</em> (Sky Comedy), pp. 93–95; Leon Litvack, review of <em>To Be Read At Dusk: Dickens, Ghosts and the Supernatural</em> (exhibition, Charles Dickens Museum), pp. 96–98; Rick Allen, review of <em>Executions: 700 Years of Public Punishments in London</em> (exhibition, Museum of London), pp. 98–101; Marzia Dati, review of <em>Genova e il Natale con gli occhi di Dickens</em> (exhibition, Villa Duchessa Di Galliera, Genova), pp. 101–02; \\\"Fellowship Notes and News,\\\" pp. 103–25; \\\"The Charles Dickens Museum,\\\" pp. 126–29] <p>Google Scholar</p> <p>Google Scholar</p> <p>Google Scholar</p> <p>Google Scholar</p> <p>Google Scholar</p> <p>Google Scholar</p> <p>Google Scholar</p> <p>Google Scholar</p> <p>Google Scholar</p> <p>Google Scholar</p> <p>Google Scholar</p> <p>Google Scholar</p> <p>Google Scholar</p> <p>Google Scholar</p> <p>Google Scholar</p> <p>Google Scholar</p> <p>Google Scholar</p> <p>Google Scholar</p> <p>Google Scholar</p> Dotson, Emily. \\\"Daddy's Little Angel in the House: The Managing Daughter and the Incest Taboo.\\\" <em>The Routledge Handbook...</em> </p>\",\"PeriodicalId\":41747,\"journal\":{\"name\":\"DICKENS QUARTERLY\",\"volume\":\"219 1\",\"pages\":\"\"},\"PeriodicalIF\":0.7000,\"publicationDate\":\"2023-11-29\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"DICKENS QUARTERLY\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/dqt.2023.a913292\",\"RegionNum\":1,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, BRITISH ISLES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"DICKENS QUARTERLY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/dqt.2023.a913292","RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, BRITISH ISLES","Score":null,"Total":0}
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摘要

这里是内容的一个简短摘录:狄更斯清单多米尼克·雷思福德《狄更斯清单》记录了新出版的出版物、博士论文和对狄更斯研究有重要意义的在线资源,每期杂志都有。清单的累积交叉参考版本,包括自第37卷以来的清单。1(2020年3月),可在dickenssociety.org上查阅,每年更新一次。多米尼克·雷恩斯福德奥胡斯大学第二手资料:传记和批评。《我读过我的狄更斯》:阿加莎·克里斯蒂改编自《荒凉山庄》的未制作电影《电影广播电视史刊》第43卷第1期。2, 2023, pp. 400-18。谷歌学者贝尔,艾米丽。“威尔基·柯林斯和狄更斯。”《语境中的威尔基·柯林斯》,威廉·贝克和理查德·内梅斯瓦里编辑,剑桥大学出版社,2023年,第184-89页。谷歌学者D'Alessandro, Michael。“狄更斯、莎士比亚和朗费罗,哦,天哪!在19世纪的作家狂欢节上表演《扇子佳能》《美国文学史》,第35卷,第5期。2,夏季2023,第715-43页。谷歌学者狄更斯季刊,第40卷,第2号。2023年9月3日。[塔玛拉·s·瓦格纳,“意外会发生”:狄更斯的喜剧灾难,第277-300页;Masayo Hasegawa:“困难时期维多利亚时代专业人士的‘事实’与‘幻想’”,第301-20页;戴娜·派恩,《查尔斯·狄更斯》菲利普·西德尼爵士:《艰难时期:小说的马式辩护》,第321-40页;詹妮弗·贾奇,《我们共同朋友的少年讽刺》,第341-61页;威廉·f·朗,《博兹、纽约与节制格言》,第362-75页;杰里米·塔布林,《狄更斯与维多利亚时代心理学:内省、第一人称叙述和心灵》书评,泰森·斯托尔特著,第376-81页;诺伯特·伦纳茨,《歌德与狄更斯的故事》书评,维托里奥著Hösle,第381-84页;詹姆斯·伊莱·亚当斯,《酷儿经济失调与维多利亚文学》书评,梅格·多宾斯著,第384-87页;伊恩·克劳福德,《圈地的来世:英国现实主义、性格和公地》,卡罗琳·莱斯亚克著,第387-91页;罗伯特·l·帕滕,《论维多利亚时代小说的风格》书评,丹尼尔·泰勒主编,第391-95页;多米尼克·雷恩斯福德,“狄更斯清单,”第404-06页]谷歌学者,谷歌学者,谷歌学者,谷歌学者,谷歌学者,谷歌学者,谷歌学者,谷歌学者,谷歌学者,谷歌学者,谷歌学者,谷歌学者,谷歌学者,狄更斯,卷119,第1部分,no。2023年春天。[约书亚·克莱顿,《皮普和乔,永远最好的朋友》,第6-24页;长谷川正代,《困难时期修辞的对比使用》,第25-35页;迈克尔·斯蒂尔,《为什么狄更斯要留胡子?》,第36-47页;尼克·坎布里奇和希瑟·梅西,《狄更斯和水疗》,第48-58页;迪克·库伊曼,《早期荷兰狄更斯》,第59-68页;M. C. Lang,《两只猴子的故事》,第69-75页;Robert C. Hanna,“关于Boz草图中的文本错误的注释”,第76-77页;John Kyriacou和Patricia Wiltshire,给编辑的信(关于CD和Ellen Ternan),第78-82页;乔尔·j·布拉丁,《查尔斯·狄更斯:文集指南》,安德鲁·斯宾塞著,第83-84页;伊莎贝尔·西格里,《十九世纪文学和文化中的维多利亚表面:皮肤、丝绸和秀》书评,西比尔·鲍姆巴赫和乌拉·拉瑟瑟主编,第85-87页;玛格达莱娜·派佩奇,《狄更斯与维多利亚时代心理学:内省、第一人称叙述与心灵》书评,泰森·斯托尔特著,第87-90页;艾米丽·沃斯,《创伤叙事:维多利亚时代小说与现代应激障碍》书评,格雷琴·布劳恩著,第90-92页;艾米丽·贝尔,《千魂万灵》(Apple TV+)和《圣诞颂歌》(Sky Comedy)的评论,第93-95页;利昂·利特瓦克,《黄昏阅读:狄更斯、鬼魂与超自然》书评(展览,查尔斯·狄更斯博物馆),第96-98页;里克·艾伦,《处决:伦敦700年的公共惩罚》(展览,伦敦博物馆),第98-101页;Marzia Dati,《Genova e il Natale congli occhi di Dickens》书评(展览,Villa Duchessa di Galliera, Genova),第101-02页;《团契笔记与新闻》,第103-25页;《查尔斯·狄更斯博物馆》,第126-29页]谷歌学者谷歌学者谷歌学者谷歌学者谷歌学者谷歌学者谷歌学者谷歌学者谷歌学者谷歌学者谷歌学者谷歌学者谷歌学者谷歌学者谷歌学者谷歌学者谷歌学者谷歌学者谷歌学者谷歌学者谷歌学者谷歌学者谷歌学者谷歌学者谷歌学者谷歌学者谷歌学者谷歌学者谷歌学者谷歌学者多森,艾米丽。《家里爸爸的小天使:管理女儿和乱伦禁忌》劳特利奇手册……
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The Dickens Checklist
In lieu of an abstract, here is a brief excerpt of the content:

  • The Dickens Checklist
  • Dominic Rainsford

The Dickens Checklist, recording new publications, doctoral dissertations, and online resources of significance for Dickens studies, appears in each issue of the journal. A cumulative cross-referenced edition of the Checklist, consisting of listings since vol. 37, no. 1 (March 2020), is available at dickenssociety.org, and is updated once a year.

Dominic Rainsford Aarhus University

Secondary Sources: Biography and Criticism

Aldridge, Mark. "'I Read My Dickens': Agatha Christie's Unproduced Film Adaptation of Bleak House." Historical Journal of Film, Radio and Television, vol. 43, no. 2, 2023, pp. 400–18.

Google Scholar

Bell, Emily. "Wilkie Collins and Dickens." Wilkie Collins in Context, edited by William Baker and Richard Nemesvari, Cambridge UP, 2023, pp. 184–89.

Google Scholar

D'Alessandro, Michael. "Dickens and Shakespeare and Longfellow, Oh My! Staging the Fan Canon at the Nineteenth-Century Authors' Carnivals." American Literary History, vol. 35, no. 2, Summer 2023, pp. 715–43.

Google Scholar

Dickens Quarterly, vol. 40, no. 3, Sept. 2023. [Tamara S. Wagner, "'Accidents will happen': Dickens's Comical Mishaps," pp. 277–300; Masayo Hasegawa: "'Fact' versus 'Fancy' among Victorian Professionals in Hard Times," pp. 301–20; Dana Pines, "Charles Dickens & Sir Philip Sidney: Hard Times, An Equine Defence for the Novel," pp. 321–40; Jennifer Judge, "The Juvenalian Satire of Our Mutual Friend," pp. 341–61; William F. Long, "Boz, New York and a Temperance Aphorism," pp. 362–75; Jeremy Tambling, review of Dickens and Victorian Psychology: Introspection, First-Person Narration, and the Mind, by Tyson Stolte, pp. 376–81; Norbert Lennartz, review of Goethe und Dickens als christliche Dichter, by Vittorio Hösle, pp. 381–84; James Eli Adams, review of Queer Economic Dissonance and Victorian Literature, by Meg Dobbins, pp. 384–87; Iain Crawford, review of The Afterlife of Enclosure: British Realism, Character, and the Commons, by Carolyn Lesjak, pp. 387–91; Robert L. Patten, review of On Style in Victorian Fiction, edited by Daniel Tyler, pp. 391–95; Dominic Rainsford, "The Dickens Checklist," pp. 404–06]

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The Dickensian, vol. 119, part 1, no. 519, Spring 2023. [Joshua Clayton, "Pip and Joe, Ever the Best of Friends," pp. 6–24; Masayo Hasegawa, "Contrasting Uses of Rhetoric in Hard Times," pp. 25–35; Michael Steele, "Why did Dickens grow his beard?," pp. 36–47; Nick Cambridge and Heather Massey, "Dickens and Hydrotherapy," pp. 48–58; Dick Kooiman, "Some Early Dutch Dickensians," pp. 59–68; M. C. Lang, "A Tale of Two Monkeys," pp. 69–75; Robert C. Hanna, "A Note on Textual Errors in Sketches by Boz," pp. 76–77; John Kyriacou and Patricia Wiltshire, letters to the Editor (concerning CD and Ellen Ternan), pp. 78–82; Joel J. Brattin, review of Charles Dickens: A Guide to the Collected Editions, by Andrew Spencer, pp. 83–84; Isobel Sigley, review of Victorian Surfaces in Nineteenth-Century Literature and Culture: Skin, Silk, and Show, edited by Sibylle Baumbach and Ulla Ratheiser, pp. 85–87; Magdalena Pypeć, review of Dickens and Victorian Psychology: Introspection, First-Person Narration, and the Mind, by Tyson Stolte, pp. 87–90; Emily Vause, review of Narrating Trauma: Victorian Novels and Modern Stress Disorders, by Gretchen Braun, pp. 90–92; Emily Bell, reviews of Spirited (Apple TV+) and Christmas Carole (Sky Comedy), pp. 93–95; Leon Litvack, review of To Be Read At Dusk: Dickens, Ghosts and the Supernatural (exhibition, Charles Dickens Museum), pp. 96–98; Rick Allen, review of Executions: 700 Years of Public Punishments in London (exhibition, Museum of London), pp. 98–101; Marzia Dati, review of Genova e il Natale con gli occhi di Dickens (exhibition, Villa Duchessa Di Galliera, Genova), pp. 101–02; "Fellowship Notes and News," pp. 103–25; "The Charles Dickens Museum," pp. 126–29]

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Dotson, Emily. "Daddy's Little Angel in the House: The Managing Daughter and the Incest Taboo." The Routledge Handbook...

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DICKENS QUARTERLY
DICKENS QUARTERLY LITERATURE, BRITISH ISLES-
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自引率
16.70%
发文量
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Dickens's Mudfog Charles Dickens and Georgina Hogarth: A Curious and Enduring Relationship by Christine Skelton (review) Writing to Control the Narrative: Charles Dickens, PTSD, and the Staplehurst Rail Crash The Year that Shaped the Victorian Age: Lives, Loves and Letters of 1845 by Michael Wheeler (review) The Dickens Checklist
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