{"title":"“和很多人生活在一起”:玛丽·艾伦·马克对面孔串联追求的二元背离","authors":"Sally Stein","doi":"10.1080/03087298.2023.2277033","DOIUrl":null,"url":null,"abstract":"Just-Killed Epilogue as On-the-Rebound Prologue (in lieu of an abstract)Call me naïve to be shocked when the following article was killed by fiat just as it was poised to be published in a Mary Ell...","PeriodicalId":13024,"journal":{"name":"History of Photography","volume":"2004 28","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2023-11-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"‘A Lot of People to Live With’: Dyadic Departures in Mary Ellen Mark’s Pursuit of Faces in Tandem\",\"authors\":\"Sally Stein\",\"doi\":\"10.1080/03087298.2023.2277033\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Just-Killed Epilogue as On-the-Rebound Prologue (in lieu of an abstract)Call me naïve to be shocked when the following article was killed by fiat just as it was poised to be published in a Mary Ell...\",\"PeriodicalId\":13024,\"journal\":{\"name\":\"History of Photography\",\"volume\":\"2004 28\",\"pages\":\"\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2023-11-20\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"History of Photography\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/03087298.2023.2277033\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"History of Photography","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/03087298.2023.2277033","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
‘A Lot of People to Live With’: Dyadic Departures in Mary Ellen Mark’s Pursuit of Faces in Tandem
Just-Killed Epilogue as On-the-Rebound Prologue (in lieu of an abstract)Call me naïve to be shocked when the following article was killed by fiat just as it was poised to be published in a Mary Ell...
期刊介绍：
History of Photography is an international quarterly devoted to the history, practice and theory of photography. It intends to address all aspects of the medium, treating the processes, circulation, functions, and reception of photography in all its aspects, including documentary, popular and polemical work as well as fine art photography. The goal of the journal is to be inclusive and interdisciplinary in nature, welcoming all scholarly approaches, whether archival, historical, art historical, anthropological, sociological or theoretical. It is intended also to embrace world photography, ranging from Europe and the Americas to the Far East.
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