{"title":"投稿人说明","authors":"","doi":"10.1093/oxartj/kcab005","DOIUrl":null,"url":null,"abstract":"<span><strong>Ruth Bretherick</strong> is Curator of Research and Public Engagement at The Fruitmarket Gallery, Edinburgh, where she has worked on the delivery of exhibitions and projects by Mark Wallinger, Jac Leirner, Lee Lozano, and Janet Cardiff and George Bures Miller, among others. She completed her PhD in History of Art at the University of Edinburgh in 2017, with a thesis entitled <span style=\"font-style:italic;\">Pace, Rhythm, Repetition: Walking in Art Since the 1960s</span>, supervised by Dr Tamara Trodd and Dr Glyn Davis. She has published in <span style=\"font-style:italic;\">MIRAJ (Moving Image Review & Arts Journal), Tate Papers</span>, and <span style=\"font-style:italic;\">The Sculpture Journal</span>. She has worked for the University of Edinburgh, the ARTIST ROOMS Research Partnership, and the National Galleries of Scotland, among other organisations.</span>","PeriodicalId":44264,"journal":{"name":"OXFORD ART JOURNAL","volume":"75 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2021-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Notes on Contributors\",\"authors\":\"\",\"doi\":\"10.1093/oxartj/kcab005\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<span><strong>Ruth Bretherick</strong> is Curator of Research and Public Engagement at The Fruitmarket Gallery, Edinburgh, where she has worked on the delivery of exhibitions and projects by Mark Wallinger, Jac Leirner, Lee Lozano, and Janet Cardiff and George Bures Miller, among others. She completed her PhD in History of Art at the University of Edinburgh in 2017, with a thesis entitled <span style=\\\"font-style:italic;\\\">Pace, Rhythm, Repetition: Walking in Art Since the 1960s</span>, supervised by Dr Tamara Trodd and Dr Glyn Davis. She has published in <span style=\\\"font-style:italic;\\\">MIRAJ (Moving Image Review & Arts Journal), Tate Papers</span>, and <span style=\\\"font-style:italic;\\\">The Sculpture Journal</span>. She has worked for the University of Edinburgh, the ARTIST ROOMS Research Partnership, and the National Galleries of Scotland, among other organisations.</span>\",\"PeriodicalId\":44264,\"journal\":{\"name\":\"OXFORD ART JOURNAL\",\"volume\":\"75 1\",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2021-07-29\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"OXFORD ART JOURNAL\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/oxartj/kcab005\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"OXFORD ART JOURNAL","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/oxartj/kcab005","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
Ruth Bretherick is Curator of Research and Public Engagement at The Fruitmarket Gallery, Edinburgh, where she has worked on the delivery of exhibitions and projects by Mark Wallinger, Jac Leirner, Lee Lozano, and Janet Cardiff and George Bures Miller, among others. She completed her PhD in History of Art at the University of Edinburgh in 2017, with a thesis entitled Pace, Rhythm, Repetition: Walking in Art Since the 1960s, supervised by Dr Tamara Trodd and Dr Glyn Davis. She has published in MIRAJ (Moving Image Review & Arts Journal), Tate Papers, and The Sculpture Journal. She has worked for the University of Edinburgh, the ARTIST ROOMS Research Partnership, and the National Galleries of Scotland, among other organisations.
期刊介绍:
The Oxford Art Journal has an international reputation for publishing innovative critical work in art history, and has played a major role in recent rethinking of the discipline. It is committed to the political analysis of visual art and material representation from a variety of theoretical perspectives, and has carried work addressing themes from Antiquity to contemporary art practice. In addition it carries extended review of major contributions to the field.