勉强独立:自主从事艺术工作的动机

IF 1.9 2区 经济学 Q2 ECONOMICS Journal of Cultural Economics Pub Date : 2022-11-09 DOI:10.1007/s10824-022-09464-5
Tal Feder, Joanna Woronkowicz
{"title":"勉强独立:自主从事艺术工作的动机","authors":"Tal Feder, Joanna Woronkowicz","doi":"10.1007/s10824-022-09464-5","DOIUrl":null,"url":null,"abstract":"<p>Self-employment is much more frequent among artists and creative workers than other occupations. This has led to the emergence of the notion of the ‘artist-entrepreneur,’ which associates these workers with autonomy and independence and the ability to choose their own career paths. This study explores motivations for self-employed artistic work by using data from five waves of the Contingent Worker Supplement to the Current Population Survey collected by the U.S. Census Bureau. Using Coarsened Exact Matching, we compare artists to non-artists in predicting motivations for self-employed work. We find that artists are different than non-artists in terms of their entrepreneurial motivations. Artists are less likely to seek self-employment for economic reasons as compared to other motivators. They are more likely to do so for reasons related to independence, time flexibility, and personal reasons. However, the preference for independence and time flexibility is not associated with self-employed artistic work more than it is associated with other types of self-employed work. The main difference between self-employed artists and non-artists is in the likelihood of choosing self-employment for lack of choice and for economic reasons. The findings make us question the notion of the ‘artist-entrepreneur’ by showing that both self-employed artists and non-artists have similar motivations related to seeking professional self-determination, but that self-employed artists are more likely to be motivated by their precariousness.</p>","PeriodicalId":47190,"journal":{"name":"Journal of Cultural Economics","volume":"1 1","pages":""},"PeriodicalIF":1.9000,"publicationDate":"2022-11-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"3","resultStr":"{\"title\":\"Reluctantly independent: motivations for self-employed artistic work\",\"authors\":\"Tal Feder, Joanna Woronkowicz\",\"doi\":\"10.1007/s10824-022-09464-5\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<p>Self-employment is much more frequent among artists and creative workers than other occupations. This has led to the emergence of the notion of the ‘artist-entrepreneur,’ which associates these workers with autonomy and independence and the ability to choose their own career paths. This study explores motivations for self-employed artistic work by using data from five waves of the Contingent Worker Supplement to the Current Population Survey collected by the U.S. Census Bureau. Using Coarsened Exact Matching, we compare artists to non-artists in predicting motivations for self-employed work. We find that artists are different than non-artists in terms of their entrepreneurial motivations. Artists are less likely to seek self-employment for economic reasons as compared to other motivators. They are more likely to do so for reasons related to independence, time flexibility, and personal reasons. However, the preference for independence and time flexibility is not associated with self-employed artistic work more than it is associated with other types of self-employed work. The main difference between self-employed artists and non-artists is in the likelihood of choosing self-employment for lack of choice and for economic reasons. The findings make us question the notion of the ‘artist-entrepreneur’ by showing that both self-employed artists and non-artists have similar motivations related to seeking professional self-determination, but that self-employed artists are more likely to be motivated by their precariousness.</p>\",\"PeriodicalId\":47190,\"journal\":{\"name\":\"Journal of Cultural Economics\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":1.9000,\"publicationDate\":\"2022-11-09\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"3\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Cultural Economics\",\"FirstCategoryId\":\"96\",\"ListUrlMain\":\"https://doi.org/10.1007/s10824-022-09464-5\",\"RegionNum\":2,\"RegionCategory\":\"经济学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"ECONOMICS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Cultural Economics","FirstCategoryId":"96","ListUrlMain":"https://doi.org/10.1007/s10824-022-09464-5","RegionNum":2,"RegionCategory":"经济学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"ECONOMICS","Score":null,"Total":0}
引用次数: 3

摘要

自雇在艺术家和创意工作者中比在其他职业中更为常见。这导致了“艺术家企业家”概念的出现,将这些工人与自主性和独立性以及选择自己职业道路的能力联系在一起。本研究通过使用美国人口普查局收集的五波临时工人补充当前人口调查的数据,探讨了自雇艺术工作的动机。使用粗糙的精确匹配,我们比较艺术家和非艺术家在预测自主创业的动机。我们发现,艺术家与非艺术家在创业动机方面是不同的。与其他动机相比,艺术家不太可能出于经济原因寻求自主创业。他们这样做更有可能是出于独立性、时间灵活性和个人原因。然而,与其他类型的自雇工作相比,对独立性和时间灵活性的偏好与自雇艺术工作的关系并不大。自雇艺术家和非艺术家之间的主要区别在于由于缺乏选择和经济原因而选择自雇的可能性。这些发现让我们对“艺术家-企业家”的概念产生了质疑,因为它们表明,自雇艺术家和非艺术家在寻求职业自决方面都有相似的动机,但自雇艺术家更有可能受到不稳定因素的激励。
本文章由计算机程序翻译,如有差异,请以英文原文为准。

摘要图片

查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
Reluctantly independent: motivations for self-employed artistic work

Self-employment is much more frequent among artists and creative workers than other occupations. This has led to the emergence of the notion of the ‘artist-entrepreneur,’ which associates these workers with autonomy and independence and the ability to choose their own career paths. This study explores motivations for self-employed artistic work by using data from five waves of the Contingent Worker Supplement to the Current Population Survey collected by the U.S. Census Bureau. Using Coarsened Exact Matching, we compare artists to non-artists in predicting motivations for self-employed work. We find that artists are different than non-artists in terms of their entrepreneurial motivations. Artists are less likely to seek self-employment for economic reasons as compared to other motivators. They are more likely to do so for reasons related to independence, time flexibility, and personal reasons. However, the preference for independence and time flexibility is not associated with self-employed artistic work more than it is associated with other types of self-employed work. The main difference between self-employed artists and non-artists is in the likelihood of choosing self-employment for lack of choice and for economic reasons. The findings make us question the notion of the ‘artist-entrepreneur’ by showing that both self-employed artists and non-artists have similar motivations related to seeking professional self-determination, but that self-employed artists are more likely to be motivated by their precariousness.

求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
CiteScore
5.20
自引率
18.50%
发文量
26
期刊介绍: Cultural economics is the application of economic analysis to all of the creative and performing arts, the heritage and cultural industries, whether publicly or privately owned. It is concerned with the economic organization of the cultural sector and with the behavior of producers, consumers and governments in that sector. The subject includes a range of approaches, mainstream and radical, neoclassical, welfare economics, public policy and institutional economics. The editors and editorial board of the Journal of Cultural Economics seek to attract the attention of the economics profession to this branch of economics, as well as those in related disciplines and arts practitioners with an interest in economic issues. The Journal of Cultural Economics publishes original papers that deal with the theoretical development of cultural economics as a subject, the application of economic analysis and econometrics to the field of culture, and with the economic aspects of cultural policy. Besides full-length papers, short papers and book reviews are also published.Officially cited as: J Cult Econ
期刊最新文献
Beyond the big screen: secondary channel releases and their impact on the theatrical market Voter mobilization with public cultural spending in small communities: evidence from Austria The impact of cultural amenities on inter-urban location: a discrete choice experiment on French students Revising the canon: how Andy Warhol became the most important American modern artist Cashing in on culture: local employment effects from art and cultural district designation
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1