{"title":"勉强独立:自主从事艺术工作的动机","authors":"Tal Feder, Joanna Woronkowicz","doi":"10.1007/s10824-022-09464-5","DOIUrl":null,"url":null,"abstract":"<p>Self-employment is much more frequent among artists and creative workers than other occupations. This has led to the emergence of the notion of the ‘artist-entrepreneur,’ which associates these workers with autonomy and independence and the ability to choose their own career paths. This study explores motivations for self-employed artistic work by using data from five waves of the Contingent Worker Supplement to the Current Population Survey collected by the U.S. Census Bureau. Using Coarsened Exact Matching, we compare artists to non-artists in predicting motivations for self-employed work. We find that artists are different than non-artists in terms of their entrepreneurial motivations. Artists are less likely to seek self-employment for economic reasons as compared to other motivators. They are more likely to do so for reasons related to independence, time flexibility, and personal reasons. However, the preference for independence and time flexibility is not associated with self-employed artistic work more than it is associated with other types of self-employed work. The main difference between self-employed artists and non-artists is in the likelihood of choosing self-employment for lack of choice and for economic reasons. The findings make us question the notion of the ‘artist-entrepreneur’ by showing that both self-employed artists and non-artists have similar motivations related to seeking professional self-determination, but that self-employed artists are more likely to be motivated by their precariousness.</p>","PeriodicalId":47190,"journal":{"name":"Journal of Cultural Economics","volume":"1 1","pages":""},"PeriodicalIF":1.9000,"publicationDate":"2022-11-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"3","resultStr":"{\"title\":\"Reluctantly independent: motivations for self-employed artistic work\",\"authors\":\"Tal Feder, Joanna Woronkowicz\",\"doi\":\"10.1007/s10824-022-09464-5\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<p>Self-employment is much more frequent among artists and creative workers than other occupations. This has led to the emergence of the notion of the ‘artist-entrepreneur,’ which associates these workers with autonomy and independence and the ability to choose their own career paths. This study explores motivations for self-employed artistic work by using data from five waves of the Contingent Worker Supplement to the Current Population Survey collected by the U.S. Census Bureau. Using Coarsened Exact Matching, we compare artists to non-artists in predicting motivations for self-employed work. We find that artists are different than non-artists in terms of their entrepreneurial motivations. Artists are less likely to seek self-employment for economic reasons as compared to other motivators. They are more likely to do so for reasons related to independence, time flexibility, and personal reasons. However, the preference for independence and time flexibility is not associated with self-employed artistic work more than it is associated with other types of self-employed work. The main difference between self-employed artists and non-artists is in the likelihood of choosing self-employment for lack of choice and for economic reasons. The findings make us question the notion of the ‘artist-entrepreneur’ by showing that both self-employed artists and non-artists have similar motivations related to seeking professional self-determination, but that self-employed artists are more likely to be motivated by their precariousness.</p>\",\"PeriodicalId\":47190,\"journal\":{\"name\":\"Journal of Cultural Economics\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":1.9000,\"publicationDate\":\"2022-11-09\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"3\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Cultural Economics\",\"FirstCategoryId\":\"96\",\"ListUrlMain\":\"https://doi.org/10.1007/s10824-022-09464-5\",\"RegionNum\":2,\"RegionCategory\":\"经济学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"ECONOMICS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Cultural Economics","FirstCategoryId":"96","ListUrlMain":"https://doi.org/10.1007/s10824-022-09464-5","RegionNum":2,"RegionCategory":"经济学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"ECONOMICS","Score":null,"Total":0}
Reluctantly independent: motivations for self-employed artistic work
Self-employment is much more frequent among artists and creative workers than other occupations. This has led to the emergence of the notion of the ‘artist-entrepreneur,’ which associates these workers with autonomy and independence and the ability to choose their own career paths. This study explores motivations for self-employed artistic work by using data from five waves of the Contingent Worker Supplement to the Current Population Survey collected by the U.S. Census Bureau. Using Coarsened Exact Matching, we compare artists to non-artists in predicting motivations for self-employed work. We find that artists are different than non-artists in terms of their entrepreneurial motivations. Artists are less likely to seek self-employment for economic reasons as compared to other motivators. They are more likely to do so for reasons related to independence, time flexibility, and personal reasons. However, the preference for independence and time flexibility is not associated with self-employed artistic work more than it is associated with other types of self-employed work. The main difference between self-employed artists and non-artists is in the likelihood of choosing self-employment for lack of choice and for economic reasons. The findings make us question the notion of the ‘artist-entrepreneur’ by showing that both self-employed artists and non-artists have similar motivations related to seeking professional self-determination, but that self-employed artists are more likely to be motivated by their precariousness.
期刊介绍:
Cultural economics is the application of economic analysis to all of the creative and performing arts, the heritage and cultural industries, whether publicly or privately owned. It is concerned with the economic organization of the cultural sector and with the behavior of producers, consumers and governments in that sector. The subject includes a range of approaches, mainstream and radical, neoclassical, welfare economics, public policy and institutional economics. The editors and editorial board of the Journal of Cultural Economics seek to attract the attention of the economics profession to this branch of economics, as well as those in related disciplines and arts practitioners with an interest in economic issues. The Journal of Cultural Economics publishes original papers that deal with the theoretical development of cultural economics as a subject, the application of economic analysis and econometrics to the field of culture, and with the economic aspects of cultural policy. Besides full-length papers, short papers and book reviews are also published.Officially cited as: J Cult Econ