成为帝国品牌:日本在殖民朝鲜的广告,1920-1932 年

IF 0.3 4区 艺术学 0 ART Journal of Design History Pub Date : 2023-12-10 DOI:10.1093/jdh/epad050
Yongkeun Chun
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引用次数: 0

摘要

本文探讨了日本殖民时期(1910-1945 年)日本消费品品牌在韩国的广告扩张,重点是 20 世纪 20 年代和 30 年代初。文章采用 "殖民现代性 "的方法,将日本在韩国的广告作为日本和韩国非国家行为者之间的界面进行研究。它还采用跨国设计史的方法,以实证研究这些参与者,如制造商、消费者、广告公司、零售商、报业公司、从业者和殖民地政府,是如何促进日本广告的扩张和变化的。该书研究了森永(糖果)、狮王(牙膏)和味之素(人造调味料)这三个日本品牌的案例,分析了它们的广告,并研究了公司档案、公司历史和当代出版物中的书面记录。通过这些分析,文章揭示了这些日本品牌在韩国的广告所涉及的不同参与者之间的谈判、挑战和紧张关系。文章认为,围绕日本广告设计的殖民现代性是由韩国人和日本人在韩国和日本之间或两国之间形成的,通过这种渐进的互动和适应过程,日本 "民族品牌 "将自身转变为 "帝国品牌"。
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Becoming Imperial Brands: Japanese Advertising in Colonial Korea, 1920–1932
This article explores the expansion of advertisements by Japanese consumer goods brands in Korea during the Japanese colonial period (1910–1945), focusing on the 1920s and early 1930s. It adopts the “colonial modernity” approach to examine Japanese advertising in Korea as an interface between Japanese and Korean non-state actors. It also uses transnational design history to investigate, more empirically, how these actors, such as manufacturers, consumers, advertising agencies, retailers, newspaper companies, practitioners, and the colonial government, contributed to the expansion and change of Japanese advertisements. It studies the cases of three Japanese brands, Morinaga (confectionery), Lion (toothpaste), and Ajinomoto (artificial seasoning), analyzing their advertisements and examining written records from the companies’ archives, their histories, and contemporary publications. By doing so it uncovers the negotiations, challenges, and tensions among the various actors involved in the Japanese brands’ advertising in Korea. The article argues that colonial modernity around Japanese advertising design was formed between or across Korea and Japan, by both Koreans and Japanese, and that through this gradual process of interaction and adaptation Japanese “national brands” transformed themselves into “imperial brands.”
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来源期刊
CiteScore
0.60
自引率
0.00%
发文量
46
期刊介绍: Journal of Design History is a leading journal in its field. It plays an active role in the development of design history (including the history of the crafts and applied arts), as well as contributing to the broader field of studies of visual and material culture. The journal includes a regular book reviews section and lists books received, and from time to time publishes special issues.
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