塞尔吉幽默话语的符号学》,作者:Yasmina Reza

Hani Georges
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摘要

在Yasmina Reza的Serge中,我们正在处理几种类型的幽默,它们主要集中在利用身体及其话语表现。因此,有理由考虑构成幽默话语基础的身体表征的某种符号学。为了能够符号学地分析塞尔日的幽默,我们将首先求助于具象性的概念,它涉及语言表征现实的能力:在诉诸于身体的具象表征的同时,我们将质疑将幽默的身体作为话语行动者的所指机制。在确定了身体幽默的具象过程之后,我们将第二步尝试确定小说中幽默的身体符号学元素:幽默所利用的身体表征将作为一种更深层次的语义表达计划,这种语义不仅涉及表演身体与其各自环境之间的不协调,而且涉及演员本身的不协调。
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Sémiotique du discours humoristique dans Serge de Yasmina Reza
: In Serge of Yasmina Reza, we are dealing with several types of humor which mostly focus on exploiting the body and its discursive representations. There is therefore reason to consider a certain semiotics of bodily representations which constitute the basis of humorous discourse. To be able to semiotically analyze the humor in Serge , we will first resort to the notion of figurativeness which concerns the capacity of language to represent reality: while appealing to bodily figurative representation, we will question the signifying mechanisms which found the humorous body as a discursive actor. After having identified the figurative processes of bodily humor, we will secondly attempt to identify the elements of a bodily semiotics of humor in the novel: the representations of the body exploited by humor would serve as a plan of expression for a much deeper semantic level which concerns the incongruity not only between the acting bodies and their respective environments but rather in the actor itself.
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