{"title":"壮观的拉丁语:拉丁语在意大利法西斯主义政治表演中的作用","authors":"Han Lamers, Bettina Reitz-Joosse","doi":"10.1163/22116257-bja10062","DOIUrl":null,"url":null,"abstract":"<p>This article explores the role of the Latin language in the context of political performance and spectacle under Italian Fascism. We investigate the different ways in which Latin words, phrases, and texts are used as visual and symbolic elements of Fascist performances and how they are staged in contemporary media coverage. Specifically, this article focuses on three case studies: first, human mosaics of the word <span style=\"font-variant: small-caps;\">DVX</span>; second, the use of a tapestry bearing a Latin motto in the context the fourteenth anniversary of Fascism; and finally, the role of a Latin foundation deposit in an inauguration ceremony for building works at the <em>Esposizione Universale di Roma</em>. Two main arguments connect the three case studies. First, we argue that the Latin language does not simply gesture towards Roman antiquity, but that it is used to evoke several different pasts at the same time. Second, we show that the Latin language has a range of affordances for diverse audiences, which are tied closely to the visuality, materiality, and symbolism of Latin during the <em>ventennio fascista</em>.</p>","PeriodicalId":42586,"journal":{"name":"Fascism","volume":"56 1","pages":""},"PeriodicalIF":0.6000,"publicationDate":"2023-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Spectacular Latin: The Role of the Latin Language in Political Spectacles under Italian Fascism\",\"authors\":\"Han Lamers, Bettina Reitz-Joosse\",\"doi\":\"10.1163/22116257-bja10062\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<p>This article explores the role of the Latin language in the context of political performance and spectacle under Italian Fascism. We investigate the different ways in which Latin words, phrases, and texts are used as visual and symbolic elements of Fascist performances and how they are staged in contemporary media coverage. Specifically, this article focuses on three case studies: first, human mosaics of the word <span style=\\\"font-variant: small-caps;\\\">DVX</span>; second, the use of a tapestry bearing a Latin motto in the context the fourteenth anniversary of Fascism; and finally, the role of a Latin foundation deposit in an inauguration ceremony for building works at the <em>Esposizione Universale di Roma</em>. Two main arguments connect the three case studies. First, we argue that the Latin language does not simply gesture towards Roman antiquity, but that it is used to evoke several different pasts at the same time. Second, we show that the Latin language has a range of affordances for diverse audiences, which are tied closely to the visuality, materiality, and symbolism of Latin during the <em>ventennio fascista</em>.</p>\",\"PeriodicalId\":42586,\"journal\":{\"name\":\"Fascism\",\"volume\":\"56 1\",\"pages\":\"\"},\"PeriodicalIF\":0.6000,\"publicationDate\":\"2023-12-13\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Fascism\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1163/22116257-bja10062\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Fascism","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/22116257-bja10062","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Spectacular Latin: The Role of the Latin Language in Political Spectacles under Italian Fascism
This article explores the role of the Latin language in the context of political performance and spectacle under Italian Fascism. We investigate the different ways in which Latin words, phrases, and texts are used as visual and symbolic elements of Fascist performances and how they are staged in contemporary media coverage. Specifically, this article focuses on three case studies: first, human mosaics of the word DVX; second, the use of a tapestry bearing a Latin motto in the context the fourteenth anniversary of Fascism; and finally, the role of a Latin foundation deposit in an inauguration ceremony for building works at the Esposizione Universale di Roma. Two main arguments connect the three case studies. First, we argue that the Latin language does not simply gesture towards Roman antiquity, but that it is used to evoke several different pasts at the same time. Second, we show that the Latin language has a range of affordances for diverse audiences, which are tied closely to the visuality, materiality, and symbolism of Latin during the ventennio fascista.
期刊介绍:
Fascism publishes peer-reviewed (double blind) articles in English, mainly but not exclusively by both seasoned researchers and postgraduates exploring the phenomenon of fascism in a comparative context and focusing on such topics as the uniqueness and generic aspects of fascism, patterns in the causal aspects/genesis of various fascisms in political, economic, social, historical, and psychological factors, their expression in art, culture, ritual and propaganda, elements of continuity between interwar and postwar fascisms, their relationship to national and cultural crisis, revolution, modernity/modernism, political religion, totalitarianism, capitalism, communism, extremism, charismatic dictatorship, patriarchy, terrorism, fundamentalism, and other phenomena related to the rise of political and social extremism.