{"title":"佐拉-尼尔-赫斯顿《注视上帝的眼睛》中的重新表述","authors":"Divya Sharma","doi":"10.17561/grove.v30.7895","DOIUrl":null,"url":null,"abstract":"Zora Neale Hurston’s most acclaimed novel, Their Eyes Were Watching God (1937), juxtaposes the sensuous side of ecology with that of female sexuality and sensuousness, through the epiphany of the blossoming pear tree. The present research article explores this idea to establish Zora Neale Hurston as a womanist who anticipates ecofeminism and ecosexuality creating a female protagonist who finds a voice narrating her story.","PeriodicalId":280802,"journal":{"name":"The Grove - Working Papers on English Studies","volume":" 22","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Re-articulation in Zora Neale Hurston’s Their Eyes Were Watching God\",\"authors\":\"Divya Sharma\",\"doi\":\"10.17561/grove.v30.7895\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Zora Neale Hurston’s most acclaimed novel, Their Eyes Were Watching God (1937), juxtaposes the sensuous side of ecology with that of female sexuality and sensuousness, through the epiphany of the blossoming pear tree. The present research article explores this idea to establish Zora Neale Hurston as a womanist who anticipates ecofeminism and ecosexuality creating a female protagonist who finds a voice narrating her story.\",\"PeriodicalId\":280802,\"journal\":{\"name\":\"The Grove - Working Papers on English Studies\",\"volume\":\" 22\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-12-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Grove - Working Papers on English Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.17561/grove.v30.7895\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Grove - Working Papers on English Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.17561/grove.v30.7895","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Re-articulation in Zora Neale Hurston’s Their Eyes Were Watching God
Zora Neale Hurston’s most acclaimed novel, Their Eyes Were Watching God (1937), juxtaposes the sensuous side of ecology with that of female sexuality and sensuousness, through the epiphany of the blossoming pear tree. The present research article explores this idea to establish Zora Neale Hurston as a womanist who anticipates ecofeminism and ecosexuality creating a female protagonist who finds a voice narrating her story.
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