在有声与无声之间--卡尔普尼乌斯-西库罗斯《黯然销魂曲》的声波世界

Edyta Gryksa-Pająk
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摘要

本文旨在分析卡尔普尼乌斯-西库卢斯(Calpurnius Siculus)所写的《黯然销魂曲》中的声音表现形式。卡尔普尼乌斯-西库卢斯是一位生活和创作于尼禄统治时期的拉丁诗人。其中最引人注意的是牧羊人在吟唱时的歌声,以及周围大自然发出的声音,如沙沙作响的树木、淙淙流淌的溪水和歌唱的鸟儿。此外,通过精心选择的表达方式实现的拟声效果也发挥了重要作用。准确声音的关联对读者的听觉和想象力都有影响,因为读者可以进入大自然的怀抱,几乎 "听到 "伴随场景的声音。
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Between Sound and Silence – The Sonic World of Calpurnius Siculus’ Eclogues
The aim of the article is to analyze selected ways of sound presentation in Eclogues, written by Calpurnius Siculus, a Latin poet who lived and created in the time of Nero’s rule. Most attention will be drawn to songs performed by shepherds in their agons along with the sounds that are composed by surrounding nature, like rustling trees, murmuring streams and singing birds. What is more, an essential part is played by onomatopoeic effects realized by means of neatly chosen expressions. The correlation of accurate sounds has an impact on the sense of hearing and on the readers’ imagination, as they can be moved into the bosom of nature and almost ‘hear’ the sounds that accompany the scenes.
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