拒绝丹妮丝-贾尔迪纳《冲上天堂》中感伤的意大利移民故事

Nancy Caronia
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摘要

本文探讨了丹尼斯-贾尔迪纳(Denise Giardina)的获奖小说《冲上天堂》(Storming Heaven)如何与二十世纪初意大利移民美国的同化论观点形成对立。西西里移民罗莎-安格莱利(Rosa Angelelli)的故事被嵌入了被称为 "矿山战争 "的西弗吉尼亚劳工历史的虚构重述中。贾尔迪纳塑造了一位女性移民主角,她将意大利移民妇女和女孩所面临的虐待和创伤表现得淋漓尽致。这种视角通常会被男性移民的视角所掩盖,但罗莎的故事既没有被忽视,也没有被抹杀。作为小说中的四位主人公之一,罗莎断断续续的回忆是通过一种停顿的话语讲述的,揭示了她的孤立无援,以及无论她做出何种选择,等待她的都是危险。借鉴洛雷塔-巴尔达萨和唐娜-加巴奇亚关于个人亲密关系的观点,罗莎的挣扎并不是一个特例,而是移民妇女和女孩往往没有办法发展社区或亲密关系,从而危及她们的身体、心理、情感和精神健康的一堂课。
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Refusing the Sentimental Italian Immigration Story in Denise Giardina’s Storming Heaven
This article examines how Denise Giardina’s award-winning novel Storming Heaven offers a counterpoint to views of early twentieth-century Italian immigration to the US that rely on assimilationist conclusions. The story of Sicilian immigrant Rosa Angelelli is embedded within the fictional retelling of West Virginia labor history known as the Mine Wars. Giardina creates a female immigrant protagonist who makes plain the abuse and trauma Italian immigrant women and girls face. This point-of-view is normally obfuscated in favor of a male immigrant’s perspective, but Rosa’s story is neither ignored nor erased. As one of four protagonists in the novel, Rosa’s fractured remembrances are told through a halting discourse, revealing her isolation and the danger that awaits her no matter the choices she makes. Taking from Loretta Baldassar and Donna Gabaccia’s ideas on personal intimacy, Rosa’s struggles are not an exception, but an object lesson in how immigrant women and girls are often left with no means to develop community or intimacy, endangering their physical, mental, emotional, and spiritual well-being.
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