印度尼西亚萨拉蒂加市作为伊斯兰价值观表达形式的壁画艺术

M. Ibrahim, Anis Mubarok, Melinda Sandra Aeni, Indah Siti Ramadhonah, Adawiyah
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摘要

本研究旨在了解萨拉蒂加市壁画艺术中伊斯兰价值观的表现形式,以便为今后的研究人员提供参考。本研究是一项描述性定性研究,参照罗兰-巴特的理论,采用符号学分析方法。本研究的数据收集技术采用了对研究对象进行观察和记录的方法。本研究中的观察方法是直接观察萨拉蒂加市墙壁上的壁画图像,而本研究中的记录方法是拍摄一些与伊斯兰价值观相关的壁画艺术图像。研究结果表明,在 "萨拉蒂加市大型壁画 "墙壁上的绘画艺术中,伊斯兰价值观(阿基达、伊斯兰教法和道德)在三个地点的壁画艺术中占据主导地位:这些壁画艺术主要分布在三个地方:塞拉沙(Selasar)、蒙金西迪(Munginsidi)和塔曼廷基尔(Taman Tingkir)。壁画艺术能有效地表现伊斯兰价值观,因为人们很容易就能理解想要传达的价值观的含义。
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Seni Mural Sebagai Bentuk Ekspresi Nilai-Nilai Keislaman di Kota Salatiga, Indonesia
This research was conducted with the aim to find out the representation of Islamic values found in mural art in Salatiga City, so that it can be useful for future researchers. This research is a descriptive qualitative research with semiotic analysis approach by referring to Roland Barthes' theory. The data collection technique in this research uses observation and documentation methods on the object of research. The observation method in this research is by looking at the mural images on the walls of Salatiga City directly, while the documentation method in this research is taking some photos of mural art images related to Islamic values. The result of this study shows that, in the art of drawing or painting on the walls of large "murals in Salatiga City" there is a representation of Islamic values of aqidah, sharia and morals that dominate in the mural art located in three locations: Selasar, Munginsidi, and Taman Tingkir. Mural art is effective to represent Islamic values, because people can easily grasp the meaning of the values that want to be conveyed.
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