超越经典:在 K-12 艺术教育教学资源中寻找黑人女艺术家

Indira Bailey
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摘要

尽管有大量教科书和教学资源指导教师传授课堂教学和课程开发的知识和技能,但许多 K-12 艺术教育资源都以白人和欧洲中心主义艺术家为特色。黑人女性 K-12 艺术教育工作者面临的挑战是,如何找到能增强学生对种族和性别身份的理解和兴趣的资源。本研究批判性地探讨了黑人女艺术家在 K-12 美术教育教科书和教学资源中的代表性和可用性。艺术教育教科书中的形象和艺术家至关重要,会影响学生对艺术的理解和教师对包容性课程的开发。因此,我通过黑人女权主义者的视角,调查了黑人女艺术家在艺术教育教学资源中代表性不足的问题。通过叙事调查,我采访了美国各地的黑人女性中小学美术教育工作者,以揭示黑人女性艺术家在课堂教学和课程开发中的可用性。因此,收集到的数据突出了描述艺术教育中白人模式的新出现的主题和次主题。这项研究表明,除了少数象征性的黑人女艺术家之外,还需要使 K-12 艺术教育教科书和教学资源多样化。
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Beyond the Canon: Seeking Black Women Artists in K-12 Art Education Teaching Resources
Despite the plethora of textbooks and teaching resources to guide the instructor in transmitting knowledge and skills for classroom instruction and curriculum development, many K-12 art education resources feature White, Eurocentric artists. Black women K-12 art educators are challenged to locate resources that enhance students’ understanding and interest in racial and gender identities. This research critically explores the representation and availability of Black women artists in K-12 art education textbooks and teaching resources. The images and artists in art education textbooks are crucial and can affect students’ understanding of art and teachers' development of an inclusive curriculum. I, therefore, investigated, through a Black feminist perspective, the underrepresentation of Black women artists in art education teaching resources. Drawing on narrative inquiry, I interviewed Black women elementary and secondary art educators throughout the United States to reveal the availability of Black women artists for classroom instruction and curriculum development. As a result, the data collected highlights emergent themes and subthemes that describe patterns of Whiteness in art education. This research demonstrates the need to diversify K-12 art education textbooks and teaching resources beyond a few token Black women artists.
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