声乐乐器舞蹈形式 Gara:塞尔维亚婚礼仪式中舞蹈流派 Kolo u Tri 的重要表现形式

Katarina Nıkolıć
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摘要

Kolo u tri 是一种舞蹈流派,其特点是横向对称的八拍子舞蹈模式动作及其二分组织中的四拍子乐句。这种体裁的出现通过许多名称、旋律,有时还有特定的动作内容(最著名的有《莫拉瓦茨》、《乌日科科洛》、《日基诺科洛》)而得到认可。Kolo u tri 舞蹈流派的表现形式之一也是一种声乐乐器舞蹈形式--嘎拉(pl.)Gara 包括歌手同时演唱即兴歌词、管弦乐队的乐器伴奏以及八拍舞蹈模式的动感表演,这些都是属于 Kolo u tri 流派的标准特征。根据 2016 年在 Stajićevo 村(塞尔维亚北部巴纳特地区)婚礼仪式上记录的经验信息,本文将从舞蹈的角度说明并定义其基本的结构形式特征。此外,本文还将进行诗歌和音乐分析,以展示这种由文字、音乐和动作组成的综合形式的所有特征。
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The Vocal-Instrumental Dance Form Gara: Vital Manifestation of Dance Genre Kolo u Tri within the Wedding Ritual in Serbia
Kolo u tri is a dance genre characterized by a lateral symmetric eight-measure dance pattern movement and its four-measure phrase in the dichotomous organization. The appearance of this genre is recognized through numerous names, melodies, and sometimes specific kinetic contents (the most famous are moravac, užičko kolo, Žikino kolo ). One of the manifestations of the dance genre Kolo u tri is also a vocal-instrumental dance form – gara (pl.: gare). Gara includes simultaneous singing of improvisatory lyrics by the singer, instrumental accompaniment by an orchestra, and kinetic performance of an eight-measure dance pattern which are standard features that belong to the genre Kolo u tri. Based on empirical information documented at the wedding ritual in the village Stajićevo (Banat area, North Serbia) in 2016, this paper will illustrate and define the essential structural-formal features from a dance perspective. Moreover, the paper will do a poetic and musical analysis to show all characteristics of this syncretic form composed of words, music, and movements.
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