当代伊斯坦布尔的前南斯拉夫城市民间音乐遗产

Marija Dumnıć Vılotijevıć
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摘要

本文介绍了 2022 年在伊斯坦布尔进行的实地考察的初步结果,在双边合作项目 "探索巴尔干文化的轨迹 "中,对来自前南斯拉夫的移民社区进行了短期研究:在 "探索巴尔干文化的轨迹:从奥斯曼时期至今塞尔维亚与土耳其在音乐和舞蹈方面的联系"(TRackeRS)双边合作项目中,对来自前南斯拉夫的移民社区进行了短期研究。如今,这些社区因其非典型的移民方向--从塞尔维亚和前南斯拉夫向东方移民--而显得与众不同。他们通过合唱团珍视自己的传统,并通过两种与塞尔维亚(和前南斯拉夫)有关的城市民间音乐--sevdalinka(唤起他们对奥斯曼帝国祖先的记忆)和 novokomponovana narodna muzika("新创作的民间音乐",唤起他们年轻时对南斯拉夫现实的记忆)--怀念自己的故乡。文章探讨了这些流行民间音乐实践的作用、它们在保护原住民文化方面的潜力(尤其是因为语言面临被遗忘的威胁),以及合唱在增强社会凝聚力方面的潜力。
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Urban Folk Music Legacy from Former Yugoslavia in Contemporary Istanbul
This article presents initial observations from the fieldwork in Istanbul in 2022, where short-term research of immigrant communities from former Yugoslavia was conducted within the project of bilateral cooperation, Exploring the Tracks of Balkan Culture: Serbian–Turkish Connections in Music and Dance from Ottoman Period until Today (TRackeRS ). Nowadays, these communities are specific because of their atypical migration direction, from Serbia and former Yugoslavia – toward the East. They cherish their traditions through choirs, and nostalgically remember their homeland through two types of urban folk music related to Serbia (and former Yugoslavia) – sevdalinka (which evokes their Ottoman ancestry) and novokomponovana narodna muzika (‘newly-composed folk music’, which evokes their Yugoslav reality from the time of their youth). The article examines the role of these popular folk music practices, their potential in safeguarding the culture of origin (especially because of the threatening oblivion of the language), as well as the potential for social cohesion in choral singing.
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