明古鲁市同性恋者的戏剧分析

Windi Ardila, Gushevinalti Gushevinalti, M. Firmansyah
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摘要

本研究采用了埃尔文-戈夫曼(Ervin Goffman)的定量理论方法,即戏剧分析理论(印象管理),这是一种戏剧研究方法。盖伊戏剧学要求有一个称为舞台的区域,作为演员发挥其功能和角色的地方,以便他们能被观众看到。舞台分为前台和后台,前台是同性恋者与社会环境建立互动的场所。同性恋者的前台分为两个,即家庭环境和社区环境。 根据笔者在访谈和观察过程中发现的情况,可以得出这样的结论:同性恋者也需要一个地方,在那里他们可以与周围的人一起放松,而无需伪装,可以完全做回同性恋者的自己。因此,这个后舞台应运而生,它是同性恋者与同道中人交流的私人舞台。
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Analisis Dramaturgi Kaum Gay Kota Bengkulu
This research uses quantitative theoretical methods from Ervin Goffman, namely the theory of dramaturgical analysis (Impression Management), a dramaturgical study approach. Gay dramaturgy requires an area called a stage as a place for actors to play their functions and roles so that they can be seen by the audience. Front stage or front stage and back stage or back stage which is a place for gay individuals to build interactions with their social environment. The front stage of Gay people is divided into two, namely their home or family environment and the community environment. Based on the situation that the author found in the interview and observation process, it can be concluded that gay people also need a place where they can relax with the people around them without having to pretend and can be completely themselves as gay people. So this back stage was created which is a private stage for gay people to interact with their fellow gay friends.
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