{"title":"采列圣丹尼尔修道院和教区教堂档案中的 Contrafacta","authors":"Jana Erjavec","doi":"10.3986/dmd19.1.01","DOIUrl":null,"url":null,"abstract":"The article presents the collection of contrafacta preserved in the archive of the abbey and parish church of St Daniel in Celje. It provides an overview of the models used, the modes and outcomes of the transformations and the possible position of the repertoire in the cultural space of Celje in the first half of the nineteenth century.","PeriodicalId":38033,"journal":{"name":"De Musica Disserenda","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2023-11-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Contrafacta in the Archive of the Abbey and Parish Church of St Daniel in Celje\",\"authors\":\"Jana Erjavec\",\"doi\":\"10.3986/dmd19.1.01\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The article presents the collection of contrafacta preserved in the archive of the abbey and parish church of St Daniel in Celje. It provides an overview of the models used, the modes and outcomes of the transformations and the possible position of the repertoire in the cultural space of Celje in the first half of the nineteenth century.\",\"PeriodicalId\":38033,\"journal\":{\"name\":\"De Musica Disserenda\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-11-20\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"De Musica Disserenda\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3986/dmd19.1.01\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"De Musica Disserenda","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3986/dmd19.1.01","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
Contrafacta in the Archive of the Abbey and Parish Church of St Daniel in Celje
The article presents the collection of contrafacta preserved in the archive of the abbey and parish church of St Daniel in Celje. It provides an overview of the models used, the modes and outcomes of the transformations and the possible position of the repertoire in the cultural space of Celje in the first half of the nineteenth century.
期刊介绍：
De musica disserenda is an international journal of musical scholarship. It is published by the Institute of Musicology ZRC SAZU (Scientific Research Centre of the Slovenian Academy of Sciences and Arts) at the ZRC Publishing (Založba ZRC). The journal is publishing musicological as well as interdisciplinary articles regarding music, with a special attention given to the texts on history of music on the territory of today’s Slovenia in wider European context. Individual issues of the journal with various dissertations are published twice a year, while thematic double issues are published at the end an individual year. The articles are published in Slovenian, English, German, French or Italian languages, with keywords and abstracts in English and Slovenian. A longer summary in Slovenian or English is given at the end of each article.
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