卡拉曼传统指甲花围裙及其设计特点

Mustafa Konuk
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引用次数: 0

摘要

从古至今,妇女们都把为女儿准备嫁妆作为自己的乐趣,她们用自己的方法纺线、上色。这些针织围裙各方面都很抢眼,而且都是手工制作的,是土耳其手工艺品的最佳典范。本研究的主题是介绍卡拉曼中心具有传统特色的钩针编织指甲花围裙,尤其是用于少女嫁妆的围裙,这些围裙都经过精心准备,以免新娘的衣服受到污染,烧焦的指甲花污渍也不会沾到新娘的衣服上;介绍新娘嫁妆中保存的钩针编织指甲花围裙,揭示其装饰特点,确定设计元素。在此背景下,对钩针编织的指甲花围裙的设计进行了研究,通过采访生活在该地区的人们,获得了有关图案、工艺、颜色和材料的信息,并对人们给这些围裙起的当地名字进行了研究。在对钩编围裙样本进行图案命名时采用了当地风格。生活在卡拉曼地区的人们彼此之间的关系非常密切,同时也与他们的习俗和传统密切相关。过去,为了防止新媳妇在指甲花之夜弄脏衣服而编织的围裙,在当晚使用后会放在胸前,当特殊客人到来时会系在胸前,但遗憾的是,由于胸前有污渍或年轻女孩拒绝使用,这些围裙已不再编织。由此可见,在卡拉曼地区少数家庭的传统指甲花围裙完全消失之前,确定这些围裙,将其纳入文献并为今天的设计做出贡献是多么重要。
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TRADITIONAL HENNA APRON IN KARAMAN AND ITS DESIGN FEATURES
From past to present, women have made it their pleasure to prepare dowry for their daughters by spinning the yarn and coloring it with their own means. These knitted aprons, which are eye-catching and handcrafted in every way, are the best examples of Turkish handicrafts. The subject of this study is to introduce the crocheted knitted henna aprons, which have a traditional identity in the center of Karaman, especially for the dowry of young girls and which are carefully prepared so that the bride's clothes are not contaminated and the burnt henna stains are not on her clothes, to introduce the crocheted henna aprons that are kept in their dowry, to reveal their ornamental features and to determine the design elements.   In this context, crocheted henna aprons were examined in terms of design, information was obtained about the motifs, techniques, colors and materials used by interviewing people living in the region, and the local names that people gave to these aprons were researched. The local style was used in the motif naming of the crocheted apron samples examined. The people living in the Karaman region are the people who live very closely to each other and at the same time are closely connected to their customs and traditions. In the past, the aprons that were knitted to prevent the new bride's clothes from getting dirty at the henna night and kept in her chest after using it that night and tied in front of special guests when they would arrive, are unfortunately no longer knitted either because there are chest stains on the chests or because they are refused to be used by young girls. As a result, it shows how important it is to determine the traditional henna aprons left in a few households in the Karaman region before they disappear completely, to bring them into the literature and to contribute to today's designs.
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