被无为所束缚：宴席》和《喜马拉雅王子》中的不作为艺术

IF 0.4 3区文学 0 LITERATURE, BRITISH ISLES Shakespeare Pub Date : 2023-10-02 DOI:10.1080/17450918.2023.2273931

Linhan Gan

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引用次数: 0

摘要

摘要两部改编自《哈姆雷特》的中国电影《喜宴》和《喜马拉雅王子》从截然不同的角度展现了主人公的困境，并强调了无为在探索自我价值和客观真理中的作用。无为作为道家的一种流行修炼方式，正如太子无鸾所清楚表明的那样，可以使人与原始自然融为一体。在政治上，它可以帮助人们以最自然、最无意识的方式治理国家。对于西藏王子拉莫克洛丹来说，佛教禅修是获得真理的关键。这种刻意的 "不作为 "有助于王子发现自己的血统，实现精神觉醒。然而，这两部影片都没有对 "不作为 "给予无条件的认可。不加批判地遵守无为会使人在政治世界中处于弱势；对佛教而言，暴力有时是合理的，因为它可以帮助可能犯错的人避免积累更多的负面业力。

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Bound by Non-action: The Art of Not Doing in The Banquet and Prince of the Himalayas

ABSTRACT In their adaptations of Hamlet, the two Chinese films, The Banquet and Prince of the Himalayas, present the protagonists' dilemma from a very different light and emphasizes the role of non-action in their exploration of self-worth and the objective truth. As a popular Taoist practice, wu wei, as prince Wu Luan clearly shows, allows one to achieve integration with primordial nature. In politics, it helps one govern in the most natural and unselfconscious manner. For the Tibetan prince, Lhamoklodan, the Buddhist meditation is key to attaining the truth. This deliberate non-action helps the prince to discover his lineage and reach spiritual awakening. Neither of the films gives non-action an unqualified endorsement, however. An uncritical observance of wu wei leaves one vulnerable in the political world; for Buddhism, violence is sometimes justified, insofar as it helps a would-be wrong-doer avoid the accumulation of further negative karma.

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来源期刊

Shakespeare Multiple-

CiteScore

0.30

自引率

33.30%

发文量

期刊介绍： Shakespeare is a major peer-reviewed journal, publishing articles drawn from the best of current international scholarship on the most recent developments in Shakespearean criticism. Its principal aim is to bridge the gap between the disciplines of Shakespeare in Performance Studies and Shakespeare in English Literature and Language. The journal builds on the existing aim of the British Shakespeare Association, to exploit the synergies between academics and performers of Shakespeare.