{"title":"东坡造梦机：展览笔记","authors":"Qiuyu Jin, Sunil Manghani","doi":"10.1080/14702029.2023.2273060","DOIUrl":null,"url":null,"abstract":"ABSTRACT This article presents a concept for an imagined exhibition relating to the work of Su Shi (1037–1101), also known as Su Dongpo. A renowned poet and calligrapher from China's Song Dynasty, Su Shi stands out as one of the pivotal figures in traditional Chinese literature; credited with penning many of China's iconic poems that remain part of the educational curriculum in China today. The proposed project is situated within the historical sites of Hainan, an island where Su Shi was exiled near the end of his life. Taking a contemporary approach to heritage, the exhibition concept draws upon recent developments in artificial intelligence large language models, with the aim of enabling visitors to generate and explore ‘lost’ poems of Su Shi.","PeriodicalId":35077,"journal":{"name":"Journal of Visual Art Practice","volume":"127 1","pages":"421 - 441"},"PeriodicalIF":0.0000,"publicationDate":"2023-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Dongpo dream machine: notes towards an exhibition\",\"authors\":\"Qiuyu Jin, Sunil Manghani\",\"doi\":\"10.1080/14702029.2023.2273060\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT This article presents a concept for an imagined exhibition relating to the work of Su Shi (1037–1101), also known as Su Dongpo. A renowned poet and calligrapher from China's Song Dynasty, Su Shi stands out as one of the pivotal figures in traditional Chinese literature; credited with penning many of China's iconic poems that remain part of the educational curriculum in China today. The proposed project is situated within the historical sites of Hainan, an island where Su Shi was exiled near the end of his life. Taking a contemporary approach to heritage, the exhibition concept draws upon recent developments in artificial intelligence large language models, with the aim of enabling visitors to generate and explore ‘lost’ poems of Su Shi.\",\"PeriodicalId\":35077,\"journal\":{\"name\":\"Journal of Visual Art Practice\",\"volume\":\"127 1\",\"pages\":\"421 - 441\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-10-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Visual Art Practice\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/14702029.2023.2273060\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Visual Art Practice","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14702029.2023.2273060","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
ABSTRACT This article presents a concept for an imagined exhibition relating to the work of Su Shi (1037–1101), also known as Su Dongpo. A renowned poet and calligrapher from China's Song Dynasty, Su Shi stands out as one of the pivotal figures in traditional Chinese literature; credited with penning many of China's iconic poems that remain part of the educational curriculum in China today. The proposed project is situated within the historical sites of Hainan, an island where Su Shi was exiled near the end of his life. Taking a contemporary approach to heritage, the exhibition concept draws upon recent developments in artificial intelligence large language models, with the aim of enabling visitors to generate and explore ‘lost’ poems of Su Shi.
期刊介绍：
The Journal of Visual Art Practice (JVAP) is a forum of debate and inquiry for research in art. JVAP is concerned with visual art practice including the social, economic, political and cultural frames within which the formal concerns of art and visual art practice are located. The journal is concerned with research engaged in these disciplines, and with the contested ideas of knowledge formed through that research. JVAP welcomes submissions that explore new theories of research and practice and work on the practical and educational impact of visual arts research. JVAP recognises the diversity of research in art and visual arts, and as such, we encourage contributions from scholarly and pure research, as well as developmental, applied and pedagogical research. In addition to established scholars, we welcome and are supportive of submissions from new contributors including doctoral researchers. We seek contributions engaged with, but not limited to, these themes: -Art, visual art and research into practitioners'' methods and methodologies -Art , visual art, big data, technology, and social change -Art, visual art, and urban planning -Art, visual art, ethics and the public sphere -Art, visual art, representations and translation -Art, visual art, and philosophy -Art, visual art, methods, histories and beliefs -Art, visual art, neuroscience and the social brain -Art, visual art, and economics -Art, visual art, politics and power -Art, visual art, vision and visuality -Art, visual art, and social practice -Art, visual art, and the methodology of arts based research
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