在 Microbus 目睹性骚扰：与电影制作人 Maggie Kamal 对话

IF 0.1 0 FILM, RADIO, TELEVISION Short Film Studies Pub Date : 2023-09-01 DOI:10.1386/sfs_00096_7

Dian Weys

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引用次数: 0

摘要

Maggie Kamal 是一名埃及电影制片人，现居纽约。她的短片《Microbus》（2021 年）以性骚扰场景为结尾，是父权制社会和女性经常不得不面对的危险处境的缩影。在 2021 年 3 月至 2023 年 8 月的电影节期间，这部短片在美国、欧洲和中东地区引起了热烈而又不同的反响，表明观众的接受程度可以揭示性别歧视不同而又微妙的运作方式。

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Witnessing sexual harassment in Microbus: A conversation with filmmaker Maggie Kamal

Maggie Kamal is an Egyptian filmmaker based in New York City. Culminating in a scene of sexual harassment, her short film Microbus (2021) serves as a microcosm of patriarchal society and the precarious situations that women often have to navigate. During its festival run from March 2021 until August 2023, the short film drew passionate yet diverging responses from across the United States, Europe and the Middle East, suggesting how audience reception can reveal the different yet subtle ways in which sexism operates.

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来源期刊

Short Film Studies FILM, RADIO, TELEVISION-

CiteScore

0.20

自引率

0.00%

发文量

期刊介绍： The main purposes of SFS are: To stimulate ongoing research on individual short films as a basis for a better understanding of the art form To provide a flow of cutting-edge teaching materials that can be used in courses in which short films are either studied or produced, at film schools or universities To offer fresh inspiration to filmmakers and other professionals working with short films in connection with festivals, national film institutes, regional film centres, etc. While the principal focus is on the short fiction film, other classic forms – such as the short documentary, the short experimental film and the short animation film – are also covered from time to time. In each issue, two productions are singled out for comprehensive presentation and close study. For each film, the reader will find production data, an interview with the director, a shot-by-shot breakdown of the film with a still illustrating every shot, a number of peer-reviewed articles that illuminate the film from a variety of perspectives and a link enabling subscribers to view the film.