在书写的线条旁画画给安妮的信

Q1 Arts and Humanities Journal of Visual Art Practice Pub Date : 2023-07-03 DOI:10.1080/14702029.2023.2202945
Sally Morfill
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引用次数: 0

摘要

ABSTRACT 本文介绍了属于更广泛项目 "致安妮的信(2022-)"的一系列绘画作品。该项目的核心是一个书写事件:习惯性的手写姿态--在本例中,是一封写给安妮-阿尔伯斯的长信--通过运动传感器记录下来。对捕捉到的数字数据进行一连串的翻译处理后,手掌上通常短暂的点的移动便被记录为线性组合。穿插的文字对刻线作为思想表达以及语言和动作之间的中介进行了反思。它汇集了一系列参考点,包括学习书写的个人经历、维莱姆-弗鲁瑟的 "书写的姿态",以及阿尔伯斯对视觉书写形式的兴趣,这些都影响了她的形象编织,并启发了这个项目。作品的背景由此展开;这些图画以书写美学为特征,被解读为图像而非文字,被定位为一种 "辅助书写",是在书写意义的瞬间完成的,它们是位于书写线条旁边的图画。
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Drawing beside the lines of writing: Letters to Anni
ABSTRACT This article presents a sequence of drawings belonging to the wider project Letters to Anni (2022-). At the centre of the project is an event of writing: the habitual gesture of handwriting – in this instance, in the context of a longhand letter to Anni Albers – recorded using motion sensors. A sequence of translation processes applied to the captured digital data allows the usually ephemeral movement of points on the hand to be registered as linear compositions. The interspersed text ruminates on inscribed line as expression of thought, and mediator between language and movement. It draws together a constellation of reference points, including the personal experience of learning to write, Vilém Flusser’s ‘Gesture of Writing’, and Albers’s interest in visual forms of writing that influenced her figurative weavings, and which inspired the project. A context for the work unfolds; the drawings, characterised by a writing aesthetic that is read as image rather than text, are positioned as a kind of ‘para-writing’, made in the moment of inscribing meaning, they are drawings located beside the lines of writing.
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来源期刊
Journal of Visual Art Practice
Journal of Visual Art Practice Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.80
自引率
0.00%
发文量
16
期刊介绍: The Journal of Visual Art Practice (JVAP) is a forum of debate and inquiry for research in art. JVAP is concerned with visual art practice including the social, economic, political and cultural frames within which the formal concerns of art and visual art practice are located. The journal is concerned with research engaged in these disciplines, and with the contested ideas of knowledge formed through that research. JVAP welcomes submissions that explore new theories of research and practice and work on the practical and educational impact of visual arts research. JVAP recognises the diversity of research in art and visual arts, and as such, we encourage contributions from scholarly and pure research, as well as developmental, applied and pedagogical research. In addition to established scholars, we welcome and are supportive of submissions from new contributors including doctoral researchers. We seek contributions engaged with, but not limited to, these themes: -Art, visual art and research into practitioners'' methods and methodologies -Art , visual art, big data, technology, and social change -Art, visual art, and urban planning -Art, visual art, ethics and the public sphere -Art, visual art, representations and translation -Art, visual art, and philosophy -Art, visual art, methods, histories and beliefs -Art, visual art, neuroscience and the social brain -Art, visual art, and economics -Art, visual art, politics and power -Art, visual art, vision and visuality -Art, visual art, and social practice -Art, visual art, and the methodology of arts based research
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