{"title":"在书写的线条旁画画给安妮的信","authors":"Sally Morfill","doi":"10.1080/14702029.2023.2202945","DOIUrl":null,"url":null,"abstract":"ABSTRACT This article presents a sequence of drawings belonging to the wider project Letters to Anni (2022-). At the centre of the project is an event of writing: the habitual gesture of handwriting – in this instance, in the context of a longhand letter to Anni Albers – recorded using motion sensors. A sequence of translation processes applied to the captured digital data allows the usually ephemeral movement of points on the hand to be registered as linear compositions. The interspersed text ruminates on inscribed line as expression of thought, and mediator between language and movement. It draws together a constellation of reference points, including the personal experience of learning to write, Vilém Flusser’s ‘Gesture of Writing’, and Albers’s interest in visual forms of writing that influenced her figurative weavings, and which inspired the project. A context for the work unfolds; the drawings, characterised by a writing aesthetic that is read as image rather than text, are positioned as a kind of ‘para-writing’, made in the moment of inscribing meaning, they are drawings located beside the lines of writing.","PeriodicalId":35077,"journal":{"name":"Journal of Visual Art Practice","volume":"1 1","pages":"245 - 272"},"PeriodicalIF":0.0000,"publicationDate":"2023-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Drawing beside the lines of writing: Letters to Anni\",\"authors\":\"Sally Morfill\",\"doi\":\"10.1080/14702029.2023.2202945\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT This article presents a sequence of drawings belonging to the wider project Letters to Anni (2022-). At the centre of the project is an event of writing: the habitual gesture of handwriting – in this instance, in the context of a longhand letter to Anni Albers – recorded using motion sensors. A sequence of translation processes applied to the captured digital data allows the usually ephemeral movement of points on the hand to be registered as linear compositions. The interspersed text ruminates on inscribed line as expression of thought, and mediator between language and movement. It draws together a constellation of reference points, including the personal experience of learning to write, Vilém Flusser’s ‘Gesture of Writing’, and Albers’s interest in visual forms of writing that influenced her figurative weavings, and which inspired the project. A context for the work unfolds; the drawings, characterised by a writing aesthetic that is read as image rather than text, are positioned as a kind of ‘para-writing’, made in the moment of inscribing meaning, they are drawings located beside the lines of writing.\",\"PeriodicalId\":35077,\"journal\":{\"name\":\"Journal of Visual Art Practice\",\"volume\":\"1 1\",\"pages\":\"245 - 272\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-07-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Visual Art Practice\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/14702029.2023.2202945\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Visual Art Practice","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14702029.2023.2202945","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
Drawing beside the lines of writing: Letters to Anni
ABSTRACT This article presents a sequence of drawings belonging to the wider project Letters to Anni (2022-). At the centre of the project is an event of writing: the habitual gesture of handwriting – in this instance, in the context of a longhand letter to Anni Albers – recorded using motion sensors. A sequence of translation processes applied to the captured digital data allows the usually ephemeral movement of points on the hand to be registered as linear compositions. The interspersed text ruminates on inscribed line as expression of thought, and mediator between language and movement. It draws together a constellation of reference points, including the personal experience of learning to write, Vilém Flusser’s ‘Gesture of Writing’, and Albers’s interest in visual forms of writing that influenced her figurative weavings, and which inspired the project. A context for the work unfolds; the drawings, characterised by a writing aesthetic that is read as image rather than text, are positioned as a kind of ‘para-writing’, made in the moment of inscribing meaning, they are drawings located beside the lines of writing.
期刊介绍:
The Journal of Visual Art Practice (JVAP) is a forum of debate and inquiry for research in art. JVAP is concerned with visual art practice including the social, economic, political and cultural frames within which the formal concerns of art and visual art practice are located. The journal is concerned with research engaged in these disciplines, and with the contested ideas of knowledge formed through that research. JVAP welcomes submissions that explore new theories of research and practice and work on the practical and educational impact of visual arts research. JVAP recognises the diversity of research in art and visual arts, and as such, we encourage contributions from scholarly and pure research, as well as developmental, applied and pedagogical research. In addition to established scholars, we welcome and are supportive of submissions from new contributors including doctoral researchers. We seek contributions engaged with, but not limited to, these themes: -Art, visual art and research into practitioners'' methods and methodologies -Art , visual art, big data, technology, and social change -Art, visual art, and urban planning -Art, visual art, ethics and the public sphere -Art, visual art, representations and translation -Art, visual art, and philosophy -Art, visual art, methods, histories and beliefs -Art, visual art, neuroscience and the social brain -Art, visual art, and economics -Art, visual art, politics and power -Art, visual art, vision and visuality -Art, visual art, and social practice -Art, visual art, and the methodology of arts based research