{"title":"好形式：档案激活的视觉和文字说明","authors":"Andrea Stultiens","doi":"10.1080/14702029.2023.2170074","DOIUrl":null,"url":null,"abstract":"ABSTRACT How can artistic interventions inform these photographs while both literally and proverbially ‘reframing’ them in an attempt to contribute to decolonial thinking? This journal contribution provides insight into a methodology of artistic research, based on Jacques Rancière's positioning of artistic practice, used to investigate a collection of photographs produced by a researcher collecting data in Sierra Leone in 1934. The photographs were produced in an unequal power relationship facilitated by colonial conditions. The historical pictures are reframed by expanding the individual photographic frame within the historical collection of photographs, and with present day stakeholders in Sierra Leone.","PeriodicalId":35077,"journal":{"name":"Journal of Visual Art Practice","volume":"88 1","pages":"273 - 285"},"PeriodicalIF":0.0000,"publicationDate":"2023-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Good form: visual and textual notes on an archive activation\",\"authors\":\"Andrea Stultiens\",\"doi\":\"10.1080/14702029.2023.2170074\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT How can artistic interventions inform these photographs while both literally and proverbially ‘reframing’ them in an attempt to contribute to decolonial thinking? This journal contribution provides insight into a methodology of artistic research, based on Jacques Rancière's positioning of artistic practice, used to investigate a collection of photographs produced by a researcher collecting data in Sierra Leone in 1934. The photographs were produced in an unequal power relationship facilitated by colonial conditions. The historical pictures are reframed by expanding the individual photographic frame within the historical collection of photographs, and with present day stakeholders in Sierra Leone.\",\"PeriodicalId\":35077,\"journal\":{\"name\":\"Journal of Visual Art Practice\",\"volume\":\"88 1\",\"pages\":\"273 - 285\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-07-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Visual Art Practice\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/14702029.2023.2170074\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Visual Art Practice","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14702029.2023.2170074","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
摘要
ABSTRACT How can artistic interventions inform these photographs while both literally and proverbially 'reframing' them in a attempt to contribute to decolonial thinking?这篇期刊论文以雅克-朗西埃（Jacques Rancière）对艺术实践的定位为基础，深入探讨了艺术研究的方法论，用于研究 1934 年在塞拉利昂收集数据的研究人员制作的一组照片。这些照片是在殖民条件促成的不平等权力关系中制作的。通过扩大历史照片集中的个人摄影框架，并与塞拉利昂当今的利益相关者合作，重新构建了历史照片。
Good form: visual and textual notes on an archive activation
ABSTRACT How can artistic interventions inform these photographs while both literally and proverbially ‘reframing’ them in an attempt to contribute to decolonial thinking? This journal contribution provides insight into a methodology of artistic research, based on Jacques Rancière's positioning of artistic practice, used to investigate a collection of photographs produced by a researcher collecting data in Sierra Leone in 1934. The photographs were produced in an unequal power relationship facilitated by colonial conditions. The historical pictures are reframed by expanding the individual photographic frame within the historical collection of photographs, and with present day stakeholders in Sierra Leone.
期刊介绍：
The Journal of Visual Art Practice (JVAP) is a forum of debate and inquiry for research in art. JVAP is concerned with visual art practice including the social, economic, political and cultural frames within which the formal concerns of art and visual art practice are located. The journal is concerned with research engaged in these disciplines, and with the contested ideas of knowledge formed through that research. JVAP welcomes submissions that explore new theories of research and practice and work on the practical and educational impact of visual arts research. JVAP recognises the diversity of research in art and visual arts, and as such, we encourage contributions from scholarly and pure research, as well as developmental, applied and pedagogical research. In addition to established scholars, we welcome and are supportive of submissions from new contributors including doctoral researchers. We seek contributions engaged with, but not limited to, these themes: -Art, visual art and research into practitioners'' methods and methodologies -Art , visual art, big data, technology, and social change -Art, visual art, and urban planning -Art, visual art, ethics and the public sphere -Art, visual art, representations and translation -Art, visual art, and philosophy -Art, visual art, methods, histories and beliefs -Art, visual art, neuroscience and the social brain -Art, visual art, and economics -Art, visual art, politics and power -Art, visual art, vision and visuality -Art, visual art, and social practice -Art, visual art, and the methodology of arts based research
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